Loreena McKennitt, Caroline Lavelle and Brian Hughes were amazing, as always last Monday night! A wonderful performance, utterly magical. I laughed, I cried (I sobbed!), I was utterly enthralled (some songs I think I forgot to breathe). It was just brilliant, and lovely to see these talented folk on stage once again. It’s been five years since Loreena and her travelling troubadours have been to the UK, and I last saw her at the Barbican, promoting her album The Wind That Shakes the Barley.
The London Palladium is one of those old theatres that just oozes culture. It was the perfect setting for the ambient nature of this trio, intimate and yet wish a dash of indulgence. Sound quality, however, is not this theatre’s forte, and all sound had to be put through the speakers, which lost depth. The right-hand speaker couldn’t handle the piano’s low notes either and there was some crackling. There were some other hiccups in the show, and those little pixie mischiefs always happen in threes: a harp string breaking in the middle of Annachie Gordon (through which Loreena simply continued playing in true professionalism, playing around the broken string without missing a beat), a spotlight that kept going out, and forgetting the words to Greensleeves and the audience helping out! Their set list got changed radically after the broken harp string, and yet the concert still flowed beautifully. While changing the broken string, Loreena told extremely funny jokes, those long, funny, storytelling ones with a great punchline at the end. It was lovely, to see her humorous side that evening as well!
The emigration section was very powerful. With diary extracts from those at Grosse Isle in Quebec, tending to the Irish refugees, to Loreena’s own musings on her journey to discover the Celts, it really struck a chord (pardon the pun) within the hearts of all who attended. It was a history lesson, a musical journey and a spiritual experience.
Caroline Lavelle excelled that evening, on cello, recorder and squeezebox, as well as her soft, breathy background vocals. On the final song, her voice blended with Loreena’s so beautifully, I was utterly uplifted, and it was the best version of Full Circle that I have ever heard.