An Enchanted Evening

Loreena Mckennitt was absolutely brilliant at the Royal Albert Hall last night. I have been a fan of her and her music for a quarter of a century now, and last night I got to see her and her ten other supremely talented musicians up close and personal.

She played all my favourites, from the new album Lost Souls and also from her older material, including many of my “witchy/pagan” favourites, such as All Soul’s Night, Pagan Trees (newly titled Ages Past, Ages Hence), the Mystic’s Dream and more. For the encore, she played my absolute most favourite song in the world: “Tango to Evora”, starting with just her on her Troubadour harp and Ana Alcaide on nyckelharpa, and then slowly all other ten musicians joined in, until it was just a beautiful wall of music and enchantment that took my breath away. Rousing favourites were, of course, Santiago and the mysterious and alluring Marco Polo. And ending with Dante’s Prayer, and the vocals trailing off into a whisper… “Please remember me.”

I can’t tell you how happy I am to have seen this and heard these wonderful musicians playing together in the incredible setting of the Royal Albert Hall. Overwhelmed. www.loreenamckennitt.com

16,17,432,466.63302618,18,424,455.701935

Loreena McKennitt – A Trio Performance

LM meme Ancient Muse (1)Loreena McKennitt, Caroline Lavelle and Brian Hughes were amazing, as always last Monday night! A wonderful performance, utterly magical. I laughed, I cried (I sobbed!), I was utterly enthralled (some songs I think I forgot to breathe). It was just brilliant, and lovely to see these talented folk on stage once again. It’s been five years since Loreena and her travelling troubadours have been to the UK, and I last saw her at the Barbican, promoting her album The Wind That Shakes the Barley.

The London Palladium is one of those old theatres that just oozes culture. It was the perfect setting for the ambient nature of this trio, intimate and yet wish a dash of indulgence. Sound quality, however, is not this theatre’s forte, and all sound had to be put through the speakers, which lost depth. The right-hand speaker couldn’t handle the piano’s low notes either and there was some crackling. There were some other hiccups in the show, and those little pixie mischiefs always happen in threes: a harp string breaking in the middle of Annachie Gordon (through which Loreena simply continued playing in true professionalism, playing around the broken string without missing a beat), a spotlight that kept going out, and forgetting the words to Greensleeves and the audience helping out! Their set list got changed radically after the broken harp string, and yet the concert still flowed beautifully. While changing the broken string, Loreena told extremely funny jokes, those long, funny, storytelling ones with a great punchline at the end. It was lovely, to see her humorous side that evening as well!

The emigration section was very powerful. With diary extracts from those at Grosse Isle in Quebec, tending to the Irish refugees, to Loreena’s own musings on her journey to discover the Celts, it really struck a chord (pardon the pun) within the hearts of all who attended. It was a history lesson, a musical journey and a spiritual experience.

Caroline Lavelle excelled that evening, on cello, recorder and squeezebox, as well as her soft, breathy background vocals. On the final song, her voice blended with Loreena’s so beautifully, I was utterly uplifted, and it was the best version of Full Circle that I have ever heard.

I was exhausted, emotionally, spiritually and physically after it, and am still kind of floating on the afterglow. Wonderful, awen in full flow. http://loreenamckennitt.com/ #loreenamckennitt