Lammas/Lughnasadh Update!

It’s the 1st August: Lammas, Lughnasadh. The first harvest festival, it comes as a welcome respite for me. I’ve been away in Canada visiting family, and the 35 to 38C temperatures were horrendous. To come back to the UK and step outside Heathrow airport to feel the cool, rainy air on my skin was pure bliss, despite the jet fumes and cigarette smoke that floated on it.

Now home in Suffolk, I can look out over my garden and see that the grass that had burned in the hot summer sunshine is now coming back to green. We’ve had rain since I’ve been away, and the drought has abated. But still the crops were being taken in even as I drove to the airport, the fields of wheat being cut on the 6th July, for they had grown to their stunted height and already dried out in the blazing sun. Now the scent of onions is in the air, as the first root vegetable crops are being taken in. Everything is a month ahead of schedule because of the lack of rain this winter, spring, and early summer.

What this harvest will bring for local farmers I can’t really say, but I’m pretty certain the yield will be much less than usual, or rather, we are reaching a new normal. If climate change continues, what is grown in this region of East Anglia will most likely need to change. The plants in my garden survived, thanks to vigorous watering, even as the water butts ran out at the end of May. We have saved as much water as we could, whenever we could, to give back to the parched land. My neighbour and I have been taking turns watering the deer, as on one side of the heath where there is a large herd they are fenced in and the little ones aren’t able to jump over to reach water. To see the ground on the heath cracked and dry already in May was heartbreaking.

But we carry on, because there is nothing else we can do. The sunshine has kept our batteries for the home topped up nicely over the summer via our solar panels, and all our electricity as well as water heating has been taken care of with ease. We’ve sold a bunch of electricity back to the grid, and made a decent profit. At one point we were even paid to take energy from the grid to top up our batteries, as for a few days with the wind there was a surplus of energy in the grid, and in the wee hours of the morning we were being paid to take electricity from the energy providers, as they do not have enough storage. What a strange world we are living in!

The harvest continues in the land around me, and I ponder my own harvest, both materialistically and spiritually. It’s been a wonderful year for me with the release of my new fiction series, Witches of the New Forest. The books have been a great success, and at the moment are providing me with an actual living wage; the first time my writing has ever done so! The dream of a 13-year old girl in her bedroom, pounding away at a manual typewriter in the hope of becoming a fantasy fiction author have been realised.

Spiritually, things have been incredibly busy, and so I’ve had to adapt my routines, daily prayers, and offerings. There was a bit of disconnection this summer, as everything in my life seemed to ramp up, but now things have settled and I am finding a new home in my own practice, dedicated to the goddess, Freya, and working with the spirits of this land where I live.

As such, today I will take some time out to do some baking: to offer it back to the land, the gods, the spirits. Even as the thunderclouds roll in from the north, I will honour the gifts of sunshine and rain, of earth and sky, of nourishment and sustenance. For this is what Lammas is all about: giving back. For many Pagans, they might feel a bit adrift during this festival, not entirely sure what it’s all about, especially if one is living in an urban environment. The wheat and barley harvest seems so very far away, as do other harvests. But the food that we eat still reaches our tables (hopefully) and to this cycle of growing, reaping, and transformation we pay homage at this time of year with a celebration of the first harvests. It was important to our ancestors, and even if we are not ourselves out in the fields cutting down the golden stalks under the sun, we can still honour where it is that we came from, and what had great meaning to those who have gone before.

Being thankful for what we have received is a large part of all the harvest festivals. Early this morning, before sunrise, I gave thanks to Freya in her aspect of Gefn, The Giver, for all the bounty that I have received. In the giving of thanks, we come to truly know and feel gratitude, and in feeling gratitude, we understand the nature of blessings, and of being blessed. We no longer take so many things for granted and instead, see the gifts that lie all around us, if we only open our eyes to see them.

In deep relationship, we weave our way through our lives, becoming part of the tapestry of life that flows in and out of time, one thread upon the other, bringing beauty, inspiration, and love.

May your Lammas and harvest be plentiful, and may you know the joy and blessings of gratitude. As a beautiful friend just messaged me on WhatsApp, As the grain turns golden in the fields, may the moments of your life turn into golden memories.


Visiting Mont Tremblant

I did manage to visit an old friend, Mont Trembant National Park, while I was back in Quebec, Canada, where we had a three-day respite from the heat throughout the month of July. Some of these photos are taken on the trails just outside the park, and some within.

It does my heart good to return to this sacred land, and the mountain that was once known as Manitonga Soutana, the mountain of the spirits, which designates the highest summit in the region and an important place of passage where ceremonies were held. According to legend, the Algonquians (Anishinabe) believed that the Spirit made the mountain tremble when people disturbed nature. It might also refer to the water coursing down the slopes of the mountain which caused this impression of trembling for the people lying on the ground. The name Mont Tremblant reflects this legend.

A six-hour hike took us to the top of Nez d’Indian (Indian’s nose – this mountain desperately needs to be renamed or given its original Indigenous toponym. There is also Chutes Diables (Devil’s Falls, again, let’s rename this, please!)

To see more short videos from my stay in Quebec, head on over to my YouTube channel HERE!


As I mentioned previously, my fiction series, Witches of the New Forest, is doing really well, and I had just finished writing the manuscript for Book 4 before heading out to Quebec. We are now in full editing mode, and we are on schedule for a 31st October release date! This will be Ryder’s story, whose adventures will certainly match those of her sister in the first three books!


In other news, I’ve had to cancel my appearance at this year’s Witchfest, as upon my return to the UK I received the dates for some surgery that I need (it’s not anything bad, just something that needs to be done before things deteriorate further). I will be in and out of appointments until the end of December, and so I’ve had to wipe my calendar of most things for the rest of this year. I hope that the new venue for Witchfest is a success, and I can’t wait to attend next year!


That’s it for the moment! I wish you all a blessed Lammas/Lughnasadh!

The Power of the Summer Solstice

The Witch’s Compass is Out Today!

Today is the day! The Witch’s Compass, Book 3 of my new fiction series, Witches of the New Forest, is out now!

Everything you do, everything you think, is a spell.

Hunter Williams is coming into her own power, despite having lost her way. Hunter’s past has dictated her future for many, many years. This is beginning to affect her not only as a person, but also as Witch. Her magick starts to change, and sometimes not for the better. As she steps into the Witch’s Compass, she finds a return to her authentic self, and under the protection of a goddess, she begins the final stages of her quest to cross the veil between the worlds to reunite her family. The adventure continues with Hunter, Jack, Ryder, Elspeth and Abigail!

Can Hunter and Jack reconcile, after everything that has happened? Will their love see them through the many hardships that still await them? Will Hunter be able to get a better grasp on her pride, her emotions and her powers? Only the Witch’s Compass can guide her…

Don’t forget, Hunter still has the daunting task of trying to free Aedon, if she can find him. And what will the sisters do with their legacy ? Will they stay in in the New Forest, becoming fully-fledged members of the magickal community, or will they return back to Canada? Where does that leave the magickal community of Burley, now possibly embroiled in a Witch War that could threaten their very existence?

The Witch’s Compass finishes Hunter’s trilogy, before we move on to her sister, Ryder’s story in Smugglers and Secrets, Book 4 of the Witches of the New Forest (out at the end of 2025). 

Thank you to everyone for your kind words and support for this project. It is so good to be writing fiction again, and I sincerely hope that you enjoy this series!

P.S. Head on over to my website for links to free bonus material for each book!

Blessings,
Joanna

Witches of the New Forest series, by Joanna van der Hoeven

How to Follow The Old Ways

I recently wrote an article for Llewellyn’s online journal, and it also serves as a little intro to my book that just came out last week! Here’s the link:

https://www.llewellyn.com/journal/article/3236

The Aesthetics of Our Traditions

It had been a busy couple of weeks. I finally finished the manuscript for the third book in my new fiction series, Witches of the New Forest. I also had another book published with Llewellyn Worldwide released on Saturday, which quickly hit the top of the charts in its category. I was absolutely thrilled, but I also needed some downtime.

I went to my special reading/relaxation room (our spare room is a devoted, sacred space) and rearranged my altar. I do so every few weeks, to match both my mood and my needs, and what I see reflected around me in nature. After I had settled down, I meditated for a while just to reset myself and find my centre. And then I opened my eyes.

I was instantly struck by the beauty and wonder of my spiritual path, of my religion. There on my altar, the candles flickering, the statues of my deities gathered round, the plants, stones, and tools of my Craft were laid out before me. The aesthetics of its hit me like a ton of bricks. And it was then that I realized the huge importance of aesthetics in both Witchcraft and Druidry, and how it shouldn’t be dismissed so easily.

Because too often we can dismiss these things as superficiality. “It’s all just surface, and the real stuff, the real work is what matters most.” But right then and there, I got it.

I got it.

It was what drew me to Witchcraft and Druidry in the first place. The tools, the beauty of the natural world, the images of deity, the rocks, stones, and crystals collected on my journeys, the sight of a plant sprouting new leaves, the flicker of a candle flame, the scent of the oil burner, the music gently playing in the background: I understood the importance of these things on a visceral level.

Because we need beauty in our lives. We need joy, and wonder, and creativity. We need that which makes our hearts sing, in order to continue this journey through life.

Many of us in the Western world are still under the influence of Protestant Christianity. Buddhists have their temples and incense, Roman Catholics have their mass and cathedrals, First Nations peoples have their art and their ceremonies. But the austerity found in many sects of Protestantism has been passed down through generation upon generation here in Britian and also throughout North America. The churches are stripped down to bare essentials, the incense is gone, the choirs are absent. The beauty of the rituals is harder to see with the naked eye, and stripping away all of that, I believe, has led us towards a reunification and a deep longing to reconnect with beauty and aesthetics. Much as I adore the beauty and simplicity of the functional Shaker style, my heart still years for more. More ceremony, more ritual, more pageantry.

We can get just as much out of these things as we can in one to one communication with our deities, the spirits, the land, or whatever it is that we work with and have deep relationship. While my own tradition still favours simplicity in all things, I can still appreciate the robed rituals, the poetic words chanted under the full moon, the drift of the incense smoke on the wind. These are the things that first caught my eye when I was seeking a religious and spiritual path that resonated with my soul. These are the things that still draw me back, time and again.

We are visual creatures; we cannot deny that. We see in colour. We need to indulge in that sense sometimes, to make our hearts sing once again. We need to feel the rich textures, to taste the indulgent flavours, to hear the sweet music, to smell the scents that fill us with passion.

There is nothing wrong with enjoying a ritual simply because it was visually stunning. What our eyes see, also goes to our hearts. Those memories will carry us through hard times. They will bring us back when we’ve lost our way. They will connect us to like-minded people. The aesthetics of our Craft and our tradition are not just surface value: they are essential.

Does that mean that every ritual has to be filled with these things? Of course not. We do what we can, when we can, and however we can. But in our hearts, we carry the feeling of those beautiful rituals into every other ritual that we do, that sense of wonderment and enchantment when we were truly moved in a previous experience. Although not every ritual will have that same result, we still have that within us, and can still seek it out, in both ritual and in our lives.

It’s not shallow to love the aesthetics of our tradition. It’s a part of our heritage, and instead, we should celebrate it, in all its various forms.

New look!

It’s been a busy week so far, and we are only Wednesday! But I’ve been working late into the evenings, getting my new fiction book series, Witches of the New Forest, up to date and ready for the third book, The Witch’s Compass, which is coming out in the late spring.

So, what have I been doing? Well, after much consideration, I decided to change the cover of Hedge Witch. This is so that the other books in the series can follow a theme: forest scenes. As the series is set in England’s New Forest region, it only makes sense to have all the covers correlate not only to that theme, but also to each other.

And so, here is the new book cover!

The colours work well with the second book, almost being a reverse of the greys, blues and orange/peachy tones. I’m pleased with it, but then, I designed it, so there you go!

Hedge Witch has been doing well in the book rankings, last week coming in the top 100 of three different categories: Women’s Fantasy Fiction, Magic Romance ebooks, and Paranormal Witches and Wizards Romance. But this book, and all the others in the series, are so much more than romance novels (though I do love a good love story). They tell the tale of coming into one’s own power, the different boundaries that exist both within ourselves and our society, and also contain a large portion of modern Witchcraft and Druidry thrown in for good measure!

It’s been getting really great reviews as well, for which I am super pleased. It’s so wonderful that this book and the second, The Veil Between the Worlds, is really resonating with folks. I’m two thirds of the way through writing the third book, which will round off Hunter’s trilogy, and then we can begin exploring Ryder, her sister’s story, in the fourth book.

Come and join me in the New Forest!

Two more days…

On Sunday, Dec 1 the second book in my new fiction series, Witches of the New Forest, will be released! The Veil Between the Worlds was written straight after I finished Hedge Witch, and then they both were edited one after the other. That’s why there’s only around a month in between release dates! Also, as there was a cliffhanger at the end of the first book, I wanted to release the second as soon as possible. So, here we are! I hope you enjoy them 🙂

You can pre-order the Kindle version now!

Click HERE to buy in the US

Click HERE to buy in the UK

Click HERE to buy in Canada

Paperback not available for pre-order, but coming out on the same day, 1 December!

Second Video in Land, Sea, & Sky series now up!

I’ve been so busy with the release of my new fiction series, Witches of the New Forest, and the first book, Hedge Witch. The second book, The Veil Between the Worlds is also written, and is currently in the final editing stage, so I’m hopeful for an early December release! All this being said, I haven’t had the time to make the second instalment in the Land Sea and Sky video series for my YouTube channel, until today! So, here you go, and I hope you like it!

New Book Coming out 8 November!

I am so excited for the release of my new fiction series, Witches of the New Forest. Coming out Friday, 8 November! Here is the back cover details:

Deep in the heart of the New Forest in England, lies the little village of Burley. Known for its modern connection to a famous Witch in the 1950s, Burley is now a tourist hotspot for those who are fascinated by the occult and the paranormal. However, there is a much deeper secret known to only a select few in the area.

Witchcraft is real, and there are very powerful practitioners of the art that still live in and around Burley. Magick runs deep within some family lines, passed on from generation to generation. There are also other magickal beings that have existed in the area for thousands of years. As a liminal place, Burley is where myth and magick come together. 

Two Canadian sisters, Hunter, and Ryder, inherit their aunt’s property on the edge of Burley. As they try to decide what to do with their inheritance, they make friends and begin to learn more about the secrets of this special place, and how it is linked to their own heritage.

This is the first part of Hunter’s story. Hunter is the careful and cautious elder sister. A university professor, she is familiar with some of the history of the area. However, Hunter’s world is turned upside-down when she discovers not only her family legacy, but also the extent of her own powers. Her guarded heart is opened by the love of a Druid whose life’s work is in dedication to the land, and whose encouragement to come into her own power, changes her life forever.

(Book 1 of the Witches of the New Forest series)

Samhain: The Origins of Hallowe’en

This article is in response to an article in my local village newsletter, declaring the so-called “evils” of Hallowe’en. Hallowe’en is not evil and is, in fact, a very ancient British tradition that spread to North America.

Hallowe’en stems from an ancient British tradition of the Celtic peoples. It was, and still is known as the festival of Calan Gaeaf (Welsh) or Samhain (Irish) which begins at sunset on the 31st October and runs to sunset on the1st November accordingly. The Celtic year was divided into two halves, the light half and the dark half. The light half began at the beginning of May, which marked the start of summer. The dark half began at Samhain (Irish) or Calan Gaeaf (Welsh) which marked the start of winter. The word Samhain is thought to be derived from “summer’s end”, being a linguistic inversion of sam-fuin.  Samhain is a time that lies between times, and is a time that is not a time. It is the end of summer, and marks the time just before we enter the dark half of the year, often referred to as the Celtic New Year. It is a liminal time, and begins at dusk on 31st October on the calendrical year. (All Celtic holidays begin at dusk, the day before the calendrical date.) Some Druids follow a more agricultural or seasonal calendar, and celebrate Samhain when the first frosts appear. 

Samhain is known popularly today as Hallowe’en. This stems from the Christian Hallowmass. What is interesting to note is that the Feast of All Saints, which follows the day after Hallowmass used to take place in May. It was moved in 834 to the 1st November, presumably to compete with the more Pagan traditions in an attempt to move the common folk away from such beliefs and practices.

Samhain is a time to remember the dead, and to welcome them. The dead are never far from us, and the Celtic worldview comprised a sort of ancestor veneration found the world over in Pagan traditions. Deceased relatives could come and visit the home, and so door were often left unlocked so that they could enter. Some use the tradition of a “Dumb Supper”, where food and places are laid out alongside the family’s fare for the dead, and the meal is eaten in silence. These plates were then taken outside as offerings to the spirits and the Fair Folk. Hollowing out turnips or sugar beets, and later pumpkins (which were/are much easier to carve) and placing a candle inside could provide a lantern by which the dead could find their way. Candles may have been left in windows as well, to help guide the way. Apples as well have a place at this festival, for one of the traditions was for a maiden to peel an apple and throw the peel over her shoulder: the letter that it formed was the initial of the name of the man she would marry. The custom of bobbing for apples is also thought to derive from Samhain traditions, with the lucky (and wet!) winners receiving fortune for the rest of the year. Brushing your hair and eating an apple while looking in a mirror at Samhain was said to reveal in the reflection the face of your true love. Modern-day trick or treating is said to come from the ancient buachaillí tui, disguised people who characterised the dead and lead a white mare (hobby horse) called Láir Bhán. This horse was symbolic of the goddess of the land.

At Samhain, when we arrive at summer’s end, is a liminal time. The veils between this world and the Otherworld are thin, and so we see the custom of dressing up or guising to protect the living from the “unhappy dead”. It could also be seen as an acknowledgement of the dead returning, and as a sort of celebration of the fact.

Samhain was celebrated by the Druids in Ireland high on the hilltops with fire, from an ancient ritual on Tlachtga or the Hill or Ward in Meath.  Tlachtga was sacred to the Druids, whereas Tara was the place of the High King. Tlachta could be viewed from Tara, and a fire on Tara may have been lit in response, allowing the Druid’s to light their fire first, in their role as advisors.  The Feast of Tara took place three days before and three days after Samhain. There is an alignment of the sun and moonrise from at Samhain from Tlachtga to a standing stone in Slieve na Caileach and also Lambay Island. Tara has an alignment from the Samhain sunrise to “Lugh’s Seat” at the “Pillars of Samhain” and a cairn dedicated to the goddess, Mór-Ríoghan above the Keash caves in County Sligo.  In Irish tradition many ancient hills and fairyforts were connected by paths which the Sidhe were said to travel. At Samhain, the Celts would be taking their cattle down from the high grounds to their winter lodgings, and so would the Fairy Folk. It was wise to avoid the fairy paths or alignments on this day/night for this very reason.

At Glastonbury in Somerset, England, the Wild Hunt is said to ride out of the hill of Glastonbury Tor, with Gwyn ap Nudd, the Lord of Annwn at its head. He collects the souls of those who have died over the past year, and acts in the role of psychopomp, leading the souls to their rightful place in the Otherworld or afterlife. Fire rituals may well have been a part of ancient ceremony on the Tor, being a hill that could be seen for many miles in the surrounding flat countryside. Recently, a Samhain fire festival honouring The Wild Hunt now takes place at Glastonbury Tor every year, and is hugely popular, with modern-day Druids officiating the ceremonies.

In County Derry in Ireland, they celebrate the Spirit of Samhain, or Spiorad na Samhna. It is a hugely popular event, with over 30,000 people coming to participate and enjoy the festivities today, with a parade and fireworks, acrobats, fire-breathers, stories, song and more. This is echoed in Edinburgh, Scotland, where the Beltane Fire Society also holds a Samhuinn event every year. This began in 1995 and has grown ever since, with street performance and theatre in the heart of the city. A large, dramatic ritual ceremony is created and re-enacted each year by different groups which include dancers, drummers, actors and more.

So as you can see, Hallowe’en is not evil. It is an ancient tradition which people across Britain are still practicing today. It is a celebration and veneration of our ancestors, much as others festivals across the world do at this time of year, such as Dios de los Meurtos, or the Day of the Dead in Mexico. Simply because something is not Christian, doesn’t make it evil.

Resources:

Baker, Des “Spiora na Samhna”, Underground Short Film Festival, 2015

Butler, Dr Jenny ” The Festival of Samhain & Halloween in Ireland “, Crypt Interview

Eastwood, Luke “Tlachtga and the Ancient Roots of Hallowe’en/Samhain”, Order of Bards, Ovates and Druids

Hutton, R. (2011) Blood and Mistletoe: The History of the Druids in Britain: Yale University Press

Restall Orr, (2016) E. This Ancient Heart 2016 Moon Books

Restall Orr, E. (2004) Living Druidry: Magical Spirituality for the Wild Soul: London: Piatkus Books Ltd

Talboys, G. (2002) Way of the Druid: Rebirth of an Ancient Religion: O Books

Telyndru, J. (2005) Avalon Within: A Sacred Journey of Myth, Mystery and Inner Wisdom

van der Hoeven, J. (2014) The Awen Alone: Walking the Path of the Solitary Druid: Moon Books

van der Hoeven, J. (2021) The Book of Hedge Druidry: A Complete Guide for the Solitary Seeker: Llewellyn Worldwide