witch

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The Aesthetics of Our Traditions

It had been a busy couple of weeks. I finally finished the manuscript for the third book in my new fiction series, Witches of the New Forest. I also had another book published with Llewellyn Worldwide released on Saturday, which quickly hit the top of the charts in its category. I was absolutely thrilled, but I also needed some downtime.

I went to my special reading/relaxation room (our spare room is a devoted, sacred space) and rearranged my altar. I do so every few weeks, to match both my mood and my needs, and what I see reflected around me in nature. After I had settled down, I meditated for a while just to reset myself and find my centre. And then I opened my eyes.

I was instantly struck by the beauty and wonder of my spiritual path, of my religion. There on my altar, the candles flickering, the statues of my deities gathered round, the plants, stones, and tools of my Craft were laid out before me. The aesthetics of its hit me like a ton of bricks. And it was then that I realized the huge importance of aesthetics in both Witchcraft and Druidry, and how it shouldn’t be dismissed so easily.

Because too often we can dismiss these things as superficiality. “It’s all just surface, and the real stuff, the real work is what matters most.” But right then and there, I got it.

I got it.

It was what drew me to Witchcraft and Druidry in the first place. The tools, the beauty of the natural world, the images of deity, the rocks, stones, and crystals collected on my journeys, the sight of a plant sprouting new leaves, the flicker of a candle flame, the scent of the oil burner, the music gently playing in the background: I understood the importance of these things on a visceral level.

Because we need beauty in our lives. We need joy, and wonder, and creativity. We need that which makes our hearts sing, in order to continue this journey through life.

Many of us in the Western world are still under the influence of Protestant Christianity. Buddhists have their temples and incense, Roman Catholics have their mass and cathedrals, First Nations peoples have their art and their ceremonies. But the austerity found in many sects of Protestantism has been passed down through generation upon generation here in Britian and also throughout North America. The churches are stripped down to bare essentials, the incense is gone, the choirs are absent. The beauty of the rituals is harder to see with the naked eye, and stripping away all of that, I believe, has led us towards a reunification and a deep longing to reconnect with beauty and aesthetics. Much as I adore the beauty and simplicity of the functional Shaker style, my heart still years for more. More ceremony, more ritual, more pageantry.

We can get just as much out of these things as we can in one to one communication with our deities, the spirits, the land, or whatever it is that we work with and have deep relationship. While my own tradition still favours simplicity in all things, I can still appreciate the robed rituals, the poetic words chanted under the full moon, the drift of the incense smoke on the wind. These are the things that first caught my eye when I was seeking a religious and spiritual path that resonated with my soul. These are the things that still draw me back, time and again.

We are visual creatures; we cannot deny that. We see in colour. We need to indulge in that sense sometimes, to make our hearts sing once again. We need to feel the rich textures, to taste the indulgent flavours, to hear the sweet music, to smell the scents that fill us with passion.

There is nothing wrong with enjoying a ritual simply because it was visually stunning. What our eyes see, also goes to our hearts. Those memories will carry us through hard times. They will bring us back when we’ve lost our way. They will connect us to like-minded people. The aesthetics of our Craft and our tradition are not just surface value: they are essential.

Does that mean that every ritual has to be filled with these things? Of course not. We do what we can, when we can, and however we can. But in our hearts, we carry the feeling of those beautiful rituals into every other ritual that we do, that sense of wonderment and enchantment when we were truly moved in a previous experience. Although not every ritual will have that same result, we still have that within us, and can still seek it out, in both ritual and in our lives.

It’s not shallow to love the aesthetics of our tradition. It’s a part of our heritage, and instead, we should celebrate it, in all its various forms.

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New look!

It’s been a busy week so far, and we are only Wednesday! But I’ve been working late into the evenings, getting my new fiction book series, Witches of the New Forest, up to date and ready for the third book, The Witch’s Compass, which is coming out in the late spring.

So, what have I been doing? Well, after much consideration, I decided to change the cover of Hedge Witch. This is so that the other books in the series can follow a theme: forest scenes. As the series is set in England’s New Forest region, it only makes sense to have all the covers correlate not only to that theme, but also to each other.

And so, here is the new book cover!

The colours work well with the second book, almost being a reverse of the greys, blues and orange/peachy tones. I’m pleased with it, but then, I designed it, so there you go!

Hedge Witch has been doing well in the book rankings, last week coming in the top 100 of three different categories: Women’s Fantasy Fiction, Magic Romance ebooks, and Paranormal Witches and Wizards Romance. But this book, and all the others in the series, are so much more than romance novels (though I do love a good love story). They tell the tale of coming into one’s own power, the different boundaries that exist both within ourselves and our society, and also contain a large portion of modern Witchcraft and Druidry thrown in for good measure!

It’s been getting really great reviews as well, for which I am super pleased. It’s so wonderful that this book and the second, The Veil Between the Worlds, is really resonating with folks. I’m two thirds of the way through writing the third book, which will round off Hunter’s trilogy, and then we can begin exploring Ryder, her sister’s story, in the fourth book.

Come and join me in the New Forest!

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Two more days…

On Sunday, Dec 1 the second book in my new fiction series, Witches of the New Forest, will be released! The Veil Between the Worlds was written straight after I finished Hedge Witch, and then they both were edited one after the other. That’s why there’s only around a month in between release dates! Also, as there was a cliffhanger at the end of the first book, I wanted to release the second as soon as possible. So, here we are! I hope you enjoy them 🙂

You can pre-order the Kindle version now!

Click HERE to buy in the US

Click HERE to buy in the UK

Click HERE to buy in Canada

Paperback not available for pre-order, but coming out on the same day, 1 December!

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Second Video in Land, Sea, & Sky series now up!

I’ve been so busy with the release of my new fiction series, Witches of the New Forest, and the first book, Hedge Witch. The second book, The Veil Between the Worlds is also written, and is currently in the final editing stage, so I’m hopeful for an early December release! All this being said, I haven’t had the time to make the second instalment in the Land Sea and Sky video series for my YouTube channel, until today! So, here you go, and I hope you like it!

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New Book Coming out 8 November!

I am so excited for the release of my new fiction series, Witches of the New Forest. Coming out Friday, 8 November! Here is the back cover details:

Deep in the heart of the New Forest in England, lies the little village of Burley. Known for its modern connection to a famous Witch in the 1950s, Burley is now a tourist hotspot for those who are fascinated by the occult and the paranormal. However, there is a much deeper secret known to only a select few in the area.

Witchcraft is real, and there are very powerful practitioners of the art that still live in and around Burley. Magick runs deep within some family lines, passed on from generation to generation. There are also other magickal beings that have existed in the area for thousands of years. As a liminal place, Burley is where myth and magick come together. 

Two Canadian sisters, Hunter, and Ryder, inherit their aunt’s property on the edge of Burley. As they try to decide what to do with their inheritance, they make friends and begin to learn more about the secrets of this special place, and how it is linked to their own heritage.

This is the first part of Hunter’s story. Hunter is the careful and cautious elder sister. A university professor, she is familiar with some of the history of the area. However, Hunter’s world is turned upside-down when she discovers not only her family legacy, but also the extent of her own powers. Her guarded heart is opened by the love of a Druid whose life’s work is in dedication to the land, and whose encouragement to come into her own power, changes her life forever.

(Book 1 of the Witches of the New Forest series)

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Samhain: The Origins of Hallowe’en

This article is in response to an article in my local village newsletter, declaring the so-called “evils” of Hallowe’en. Hallowe’en is not evil and is, in fact, a very ancient British tradition that spread to North America.

Hallowe’en stems from an ancient British tradition of the Celtic peoples. It was, and still is known as the festival of Calan Gaeaf (Welsh) or Samhain (Irish) which begins at sunset on the 31st October and runs to sunset on the1st November accordingly. The Celtic year was divided into two halves, the light half and the dark half. The light half began at the beginning of May, which marked the start of summer. The dark half began at Samhain (Irish) or Calan Gaeaf (Welsh) which marked the start of winter. The word Samhain is thought to be derived from “summer’s end”, being a linguistic inversion of sam-fuin.  Samhain is a time that lies between times, and is a time that is not a time. It is the end of summer, and marks the time just before we enter the dark half of the year, often referred to as the Celtic New Year. It is a liminal time, and begins at dusk on 31st October on the calendrical year. (All Celtic holidays begin at dusk, the day before the calendrical date.) Some Druids follow a more agricultural or seasonal calendar, and celebrate Samhain when the first frosts appear. 

Samhain is known popularly today as Hallowe’en. This stems from the Christian Hallowmass. What is interesting to note is that the Feast of All Saints, which follows the day after Hallowmass used to take place in May. It was moved in 834 to the 1st November, presumably to compete with the more Pagan traditions in an attempt to move the common folk away from such beliefs and practices.

Samhain is a time to remember the dead, and to welcome them. The dead are never far from us, and the Celtic worldview comprised a sort of ancestor veneration found the world over in Pagan traditions. Deceased relatives could come and visit the home, and so door were often left unlocked so that they could enter. Some use the tradition of a “Dumb Supper”, where food and places are laid out alongside the family’s fare for the dead, and the meal is eaten in silence. These plates were then taken outside as offerings to the spirits and the Fair Folk. Hollowing out turnips or sugar beets, and later pumpkins (which were/are much easier to carve) and placing a candle inside could provide a lantern by which the dead could find their way. Candles may have been left in windows as well, to help guide the way. Apples as well have a place at this festival, for one of the traditions was for a maiden to peel an apple and throw the peel over her shoulder: the letter that it formed was the initial of the name of the man she would marry. The custom of bobbing for apples is also thought to derive from Samhain traditions, with the lucky (and wet!) winners receiving fortune for the rest of the year. Brushing your hair and eating an apple while looking in a mirror at Samhain was said to reveal in the reflection the face of your true love. Modern-day trick or treating is said to come from the ancient buachaillí tui, disguised people who characterised the dead and lead a white mare (hobby horse) called Láir Bhán. This horse was symbolic of the goddess of the land.

At Samhain, when we arrive at summer’s end, is a liminal time. The veils between this world and the Otherworld are thin, and so we see the custom of dressing up or guising to protect the living from the “unhappy dead”. It could also be seen as an acknowledgement of the dead returning, and as a sort of celebration of the fact.

Samhain was celebrated by the Druids in Ireland high on the hilltops with fire, from an ancient ritual on Tlachtga or the Hill or Ward in Meath.  Tlachtga was sacred to the Druids, whereas Tara was the place of the High King. Tlachta could be viewed from Tara, and a fire on Tara may have been lit in response, allowing the Druid’s to light their fire first, in their role as advisors.  The Feast of Tara took place three days before and three days after Samhain. There is an alignment of the sun and moonrise from at Samhain from Tlachtga to a standing stone in Slieve na Caileach and also Lambay Island. Tara has an alignment from the Samhain sunrise to “Lugh’s Seat” at the “Pillars of Samhain” and a cairn dedicated to the goddess, Mór-Ríoghan above the Keash caves in County Sligo.  In Irish tradition many ancient hills and fairyforts were connected by paths which the Sidhe were said to travel. At Samhain, the Celts would be taking their cattle down from the high grounds to their winter lodgings, and so would the Fairy Folk. It was wise to avoid the fairy paths or alignments on this day/night for this very reason.

At Glastonbury in Somerset, England, the Wild Hunt is said to ride out of the hill of Glastonbury Tor, with Gwyn ap Nudd, the Lord of Annwn at its head. He collects the souls of those who have died over the past year, and acts in the role of psychopomp, leading the souls to their rightful place in the Otherworld or afterlife. Fire rituals may well have been a part of ancient ceremony on the Tor, being a hill that could be seen for many miles in the surrounding flat countryside. Recently, a Samhain fire festival honouring The Wild Hunt now takes place at Glastonbury Tor every year, and is hugely popular, with modern-day Druids officiating the ceremonies.

In County Derry in Ireland, they celebrate the Spirit of Samhain, or Spiorad na Samhna. It is a hugely popular event, with over 30,000 people coming to participate and enjoy the festivities today, with a parade and fireworks, acrobats, fire-breathers, stories, song and more. This is echoed in Edinburgh, Scotland, where the Beltane Fire Society also holds a Samhuinn event every year. This began in 1995 and has grown ever since, with street performance and theatre in the heart of the city. A large, dramatic ritual ceremony is created and re-enacted each year by different groups which include dancers, drummers, actors and more.

So as you can see, Hallowe’en is not evil. It is an ancient tradition which people across Britain are still practicing today. It is a celebration and veneration of our ancestors, much as others festivals across the world do at this time of year, such as Dios de los Meurtos, or the Day of the Dead in Mexico. Simply because something is not Christian, doesn’t make it evil.

Resources:

Baker, Des “Spiora na Samhna”, Underground Short Film Festival, 2015

Butler, Dr Jenny ” The Festival of Samhain & Halloween in Ireland “, Crypt Interview

Eastwood, Luke “Tlachtga and the Ancient Roots of Hallowe’en/Samhain”, Order of Bards, Ovates and Druids

Hutton, R. (2011) Blood and Mistletoe: The History of the Druids in Britain: Yale University Press

Restall Orr, (2016) E. This Ancient Heart 2016 Moon Books

Restall Orr, E. (2004) Living Druidry: Magical Spirituality for the Wild Soul: London: Piatkus Books Ltd

Talboys, G. (2002) Way of the Druid: Rebirth of an Ancient Religion: O Books

Telyndru, J. (2005) Avalon Within: A Sacred Journey of Myth, Mystery and Inner Wisdom

van der Hoeven, J. (2014) The Awen Alone: Walking the Path of the Solitary Druid: Moon Books

van der Hoeven, J. (2021) The Book of Hedge Druidry: A Complete Guide for the Solitary Seeker: Llewellyn Worldwide

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Some Words about my new fiction series, Witches of the New Forest, and Book 1: Hedge Witch!

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The Mabon Debate

There is some debate in the Pagan community about using the word ‘Mabon’ to refer to the Autumn Equinox. In 1974, Aiden Kelly was looking for a name to put to the Autumn Equinox that had similarities to the descent of Kore or Persephone. He chose Mabon from Welsh literature, the son who was stolen away from his mother and which Culhwch was tasked to find to win the hand of the beautiful Olwen. With the aid of King Arthur he did indeed free Mabon from his imprisonment, as told in the Tale of Culhwch and Olwen in the Mabinogi.

At first glance, it would appear that Mabon’s disappearance and rescue has very little to do with the equinox, and the similarities between his story and that of Kore can appear tenuous at best. However, there are other aspects to Mabon that do very much relate to the Autumn Equinox, which I haven’t seen discussed anywhere (but that may just be because I live in a cave deep in the woods).

I think the most important aspect of Mabon is that it was said that he was the greatest hunter of all time. And when does hunting season begin? For the majority of hunted animals which here in the UK are birds, it is around the Autumn Equinox when the season really gets underway. Deer hunting technically starts at the beginning of August, but the deer are hard to find as they are still hiding away from the summer’s heat until it gets dark. It is around the Autumn Equinox when you are able to see them out again during the day, from late afternoon onwards.

It is also when the constellation of Orion (The Hunter) becomes more visible in the night sky, albeit still in the east before dawn but slowly awakening and becoming more ‘upright’ so that he can stride across our skies followed by his hound during the winter months. As well, it’s when the temperature shifts, and the warmth leaves us as the cold northerly winds begin to blow, hinting at the Wild Hunt and winter’s reign to come. So yes, for me the honouring Mabon as the hunter does make sense at this time of year, though that may not have been the original intention.

Some argue that our ancient ancestors did not care about the autumn or spring equinox. To that, I would say look to our ancient megaliths.  In 1966, C. A. ‘Steve’ Newham found an alignment for the equinoxes at Stonehenge by drawing a line between one of the Station Stones with a posthole next to the Heel Stone. The equinox sunrise is beautifully framed by the Gossan Stones in the Wicklow Mountains, Ireland. Callanish in Scotland has an alignment with the equinox, and so does Newgrange in Ireland. Most of these places are famed for their solstice alignments, but they also do have other alignments which are not only solar, but lunar as well.

At the Autumn Equinox here in the rural British countryside we are also in the thick of harvest season, which begins at the start of August and runs through to the end of October. As such, some people argue that we should be celebrating Harvest Home. I love that name, but the origins are unclear. It may have been derived from Germanic Pagan traditions that have since been co-opted by the Christian Church, but we can’t quite be sure of its Pagan roots. Harvest Home services are held in many local, rural churches including the one in my own little village on the Suffolk Coast in the East of England. Today Harvest Home is now very much associated with Christianity. That’s not to say that we can’t incorporate it into our own festivals, because it’s what traditions from all over the world have done and still do over time. We learn, borrow and make stuff our own all the time. The Romans were masters at it. But that leads us to the argument of cultural appropriation.

The cultural appropriation argument against Mabon is that it is using a Welsh word/cultural hero and throwing it into ritual without awareness or regard for where it came from. And this is a wholly important thing to consider. However after you’ve done the research, and you find Mabon is known as the greatest hunter then the correlations to this time of hunting and harvesting make more sense, and seem less tenuous. As well, if we believe that we shouldn’t be using Welsh words in our Wiccan, Witchcraft, Druid [insert name of Pagan tradition here] then we really shouldn’t be using Samhain, or Beltane, or Imbolc, should we? We are using the words that have lasted through the years, but if we are not Irish or Scottish for instance, should we even be using these words in our traditions? I think of how many people today still say that Samhain is the Celtic New Year. On the flipside of that, I wonder how many people honour the god Belenus at Beltane? These are all Gaelic words that have been co-opted and given a different flair for various rituals in different Pagan traditions today that sometimes retain very little of the original source.

So should we rewrite all our traditions’ rituals and give them all new names?

Maybe.

But I still like Mabon.

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Witching Around Podcast

This month the Witching Around podcast features…. me! Do check it out, I had a great time with these lovely ladies 🙂

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New Video: Self Belief

Between downpours I finally managed to get some filming done for a new video! Here you go 🙂 To see behind-the-scenes footage of all my videos, please consider joining my Patreon page 🙂