What Is Hedge Druidry?

There seems to be some confusion over just what Hedge Druidry is, even in the Druid community. I should hope that my writing will clear up some of this confusion and misperception, and for a full account there is always the work that I am most proud of, which is The Book of Hedge Druidry: A Complete Guide for the Solitary Seeker. However, here in blog post I will address some of the misconceptions, and share my love, knowledge and experience of the tradition.

Let’s begin with one of the latest misconceptions that I have come across. I have read in a recently released book on Druidry that Hedge Druids are those “who believe that each Druid can make it up as they go along, collecting bits of lore and ways of worshipping from disparate sources, Druid or not, both ancient and recently invented.” The tone of this seems to be a bit condescending and condemning, and perhaps comes from an uninformed point of view regarding Hedge Druidry as a specific tradition.

Hedge Druidry is deeply connected to the culture, language and study of ancient and modern Druidry. Without that, it wouldn’t be Druidry. Only by understanding the history and context of Druidry, both ancient and modern, can we create an inspirational tradition today that is rooted in the past, but not chained to it. For Druidry does evolve, in order to be relevant to today’s world. But the above statement isn’t entirely untrue either, though probably not in the light that it was presented.

Do we make it up as we go along? Well I much prefer spontaneous ritual, that’s for certain. My words in ritual are never written down. I have an idea of what I am going to say, along with the ritual actions and intention based upon my decades of research into Druidry and the many, many rituals that I have performed over the years. I might write down my ritual beforehand, especially if I am sharing it with others, with a set ritual format to follow, but the words, the feelings and motions are totally spontaneous, deeply in the moment and connected to the spirits of time and place. My rituals are based on a knowledge and love of Celtic lore and my rituals, offerings, and prayers are all rooted in that soil. I have studied Druid ritual in many, many forms and, as no one single tradition of Druidry has survived since ancient times, we are all just trying to create rituals that are sound and which are inspiring, which connect us to the time, place, ancestors and deities based on what we know from history and what is meaningful today. Druidry has no liturgy, but many of my own rituals and those of other Hedge Druids follow a stylised format entrenched in Celtic lore and deeply connected to the land. It gives us an outline to follow, to which our spontaneous words spoken in the moment to those who are with us, both human and other-than-human, can witness.

Do we collect bits of lore and ways of worshipping from disparate sources, Druid or not, both ancient and recently invented? Of course we do. So do all Druids, whether they are Celtic Reconstructionist or from any other branch on the Druidic tree. We have ancient Classical Greek accounts, Roman accounts, and Irish and Welsh records written by Christian monks. We also pull from modern archaeology and, for some, the Romantic and other Revival periods in history, art and literature. We also look through the lens of comparative religion, in order to better understand and make links to the Druid tradition where there might be gaps in the knowledge, looking at shared proto-Indo European roots such as with Hinduism.

As well, there is the importance of the hedge in Hedge Druidry, which is often forgotten, not mentioned or not even known to some in the Druid community.

So just what is Hedge Druidry then? Well, here’s an excerpt from the beginning of my book, The Book of Hedge Druidry:

The Hedge Druid is a more recent term that applies to someone who walks the Druid path for the most part alone, using their wit and intelligence, the wisdom gained from long hours of research and practical experience in order to create their own tradition that is right for them and their environment. The term “hedge” when applied to Druidry stems from the 19th century term, “hedge priest”, which denoted a priest of the Christian faith who did not follow a particular or established tradition, had no church per se and who preached “from the hedgerow”. The term was first applied to Witchcraft in modern Paganism, and popularised by the author Rae Beth. The term then spread to Druidry, and became synonymous with solitary practitioners, who were not part of any Order or Grove or other established sect. Not all solitary practitioners of Druidry would call themselves Hedge Druids, however it is a term that is growing in popularity. However, in this work I shall show how Hedge Druidry goes beyond the notion of a solitary practitioner, into something that is deeper and more connected to the natural world.

The Hedge Druid is also one who rides the hedge, who travels between the worlds, who works with boundaries and the liminal places where the edges blend and meet. The term “hedge-riding” is a practice found in the Pagan community, mostly in Witchcraft traditions. It stems from the German word hagazissa which means “hedge sitter”. The Saxon term is “haegtessa” and both are where we get our word “hag”. Someone who rides the hedge can straddle the worlds, this world and the Otherworld, to bring back wisdom and information to use in our world, the Middleworld. We will learn more about the importance of the hedge and also hedge riding in later chapters. Suffice it to say that working with the boundaries of the civilised world and that which lies beyond the hedgerow is the world of the Hedge Druid, connecting and weaving together those threads to shape the world and find balance and harmony with the whole. It is the known world and the wilderness beyond that shapes and informs our earth-based tradition.

For me, Druidry is mostly a solitary path, though I do belong to some Druid Orders and networks, and celebrate the seasons with a few friends.  But the everyday Druidry, the currents of intention that flow through me and my home and through the landscape where I live is my main focus.  It is a mostly solitary pursuit. Like learning, I always preferred to do it on my own, rather than working with a group, for I found that my concentration was higher, and I could have a deeper level of experience than I could with the influence of others upon my work. The day to day living of my Druid path is what is most important, punctuated by the celebration of the seasons and festivals with others.

Of course, we are never truly solitary creatures, but in this sense I am using the word “solitary” with regards to other humans.  I am never truly solitary, for I am always surrounded by nature and all its creatures every single second of my life.  I am always a part of an inter-connected web of existence. Living this connection, weaving the threads of my life to that of my environment and all that exists within it, means that there is no separation, no isolation. Yet, when asked to describe my path, I use the word solitary or Hedge Druid in the sense that I prefer to find such connection on my own, without other humans around. Why this should be so is perhaps due to my nature: naturally shy, and sensitive to noise, light, barometric pressure and other phenomena, it is just easier to be “alone” most of the time.

It is similar to the path of the mystic, or a monastic. The path of the mystic is much the same; a solitary path where personal connection to the divine is the central focus.  Some would say that the mystic path is the search for the nature of reality. For me, Druidry is the search for reality within nature, and so the two can walk hand in hand down this forest path. There are many elements of mysticism in my everyday life, where the songs of the land and the power of the gods flow through me, the knowledge from the ancestors deep within my blood and deep within the land upon which I live, rooted in its soil and sharing its stories on the breeze. To hold that connection, day in and day out, to live life fully within the threads of that tapestry is what I aspire to do, each and every moment.  Sometimes a thread is dropped, and it requires a deep mindfulness to restore it, but practice helps when we search for those connecting threads, becoming easier with time and patience both with the world and with your own self.

The monastic retreats from the world to connect with the essence of the divine, however you may describe it.   There is a deliberate intention to be separate from the so-called “mundane” world, or secular culture. However, within Druidry we realise that there is no such thing as mundane, and the duality between the physical and the spiritual is something that is anathema to the tradition. Learning how to be in the world is of great value, even as great value is found in being alone. For some, I’m sure a monastic Druid tradition would be a most agreeable way to live, but for most they prefer to work in the world rather than separate themselves from it, because they understand that separation is merely an illusion.  Most non-gregarious Druids would prefer the path of the mystic, rather than the monastic, for that very reason. The mystic seeks integration, the monastic separation.

Yet both have many other similarities. Both seek to release the vice-like grip we have on our sense of self, the ego that we try to protect at all costs. The dissolution of the ego can be seen as at the heart of many Eastern traditions. Druidry teaches us integration, our ego perhaps not dissolving but blending in with that of our own environment. We don’t think less of ourselves, but rather think of ourselves less. The animism that is a large part of Druidry for many helps us to see the sacredness of all existence, and in doing so we are not seeking annihilation, but integration. We can perhaps dissolve the notions and out-dated perceptions that we have, both about the world and about ourselves, leaving the self to find its own edges and then blending in to the world around us, truly becoming part of an ecosystem where selflessness is not altruistic, but necessary for the survival of the system.

The flowing inspiration (otherwise known as the awen) where soul touches soul and the edges melt away into an integrated way of being has always been at the heart of Druidry.  The three drops of inspiration or wisdom from the goddess Ceridwen’s cauldron contain that connection; they contain the awen that, with enough practice, is accessible to all. We have to spend time brewing our own cauldron of inspiration, filling it with both knowledge and experience before we can taste the delicious awen upon our lips. Some prefer to do this with others; some prefer to do so alone.

It is easier to quiet the noise of humanity, and of our own minds, when we are alone without distraction. Notice I said “easier” and not “easy”, because again it takes practice. But time spent alone, daily connecting and reweaving the threads that we have dropped can help us create a wonderful, rich tapestry that inspires us to continue in our journey through life, whatever may happen along the way. Though the solitary path might not be for everyone, having these moments of solitude can be a great tool for deep learning, working on your own as well as working within a group, Grove or Order. Sometimes we need to remove ourselves from the world in order to better understand it, and then come back into the fold with a new awareness and integration filled with awen, filled with inspiration.

The Hedge Druid is not afraid to be alone, nor with others, but seeks deep and utter integration in the world. Being a Hedge Druid requires determination, in seeking out the ancient and modern lore, and finding what aspects resonate within our soul. Not everything ancient is valid today, and not all modern aspects have integrity. We need to take a step back from declaring authenticity when there is doubt, and instead search for validity in our spiritual path. The Hedge Druid learns to walk her path with integrity, with solid research and experiential wisdom. She does the work, in the physical as well as the academic. Our learning is our own personal responsibility.

I hope that this blog post clears up some of the confusion of just what Hedge Druidry is, compared to other traditions within the Druidic diaspora. It is a deeply transformational way of being in the world, that appeals to those who wish to be connected to the land, the ancestors and the ancient Celtic heritage, while also at the same time work with the allies and guides of the Otherworld, or the three realms of land, sea and sky through hedge riding experiences. A Hedge Druid is deeply connected to the concept of the World Tree, the importance and significance of the bilé, to inform their world and how they work within it. And, as are all Druids, we are questing the awen: that sense of connection, of deeply integrated relationship with the land and with each other.

May we be the awen.

Another turn of the wheel…

t’s been a year since The Path of the Hedge Witch came out! Where has the time gone? I’m nearly finished writing up the sequel, which hopefully will be available this time next year 🙂 Thank you to everyone who has supported me and my work. All the wonderful comments, emails, reviews and messages make me filled with gratitude for being able to share my experiences with you. Here’s to another year!

(And the audiobook cover)

New Interview!

Last week I was interviewed by Pagan for my new book, the Path of the Hedgewitch. The podcast is now available, so please go on and have a listen, and check out all the other great stuff on there too!

Interview on The Witching Hour with Patti Negri

Last month I was interviewed by Patti Negri from The Witching Hour YouTube channel. We talked about my upcoming book, the Path of the Hedge Witch, which is out on 8 Oct for the Kindle version, and 8 November for the paperback. Audiobook to come later!

Paperback pushed back…

Release date for the paperback version of The Path of the Hedge Witch has been pushed back due to backlog at the printers. We’re now looking at November 8 release for the paperback. Kindle version still looks to be on track for and October 8 release though!

Interview with Eron Mazza!

Last week I had the most lovely interview with Eron Mazza on The Witching Hour podcast. You can listen to the whole thing HERE.

Re-Living, Re-Visioning your Craft

Whether you’ve been practising your spiritual path for 30 years or 3 years, you will need to shake things up every now and again. Nature doesn’t stay the same. Nature changes, each and every day. As I look out my window, things have changed, sometimes minutely, sometimes drastically, but I can see and feel the change. When I’m out and walking the landscape, I see the wider changes happening, beyond my own little hearth and home. By spending time noticing these changes, I become used change, and so I am also able to transform what I need to in my own life.

My spiritual path does not remain an unvarying constant. It is ever shifting, changing, flowing in and out with the seasons and the cycles. With my many, many, many (oh so many, where did the years go?) years of experience that I have in following my own tradition, I can honestly say that no two years have ever been alike. My interests, my environment, my circumstances lead me down different routes that inform and re-energise my current modus operandi. I am not the same person I was twenty years ago, and nor would I want to be.

Anything that is alive, changes. We often forget that in our day to day existence. We often relive past experiences, but these are done and gone; what we need to do is re-live, to truly live once again in the present moment. Accepting change and circumstances and experience that should, hopefully, lead to wisdom.

Some days are harder than others, for sure. Some days our Craft might seem to take a backseat in our lives, as we try to deal with the hardships and grievances, the pain and the struggles that come from being on this planet at this moment in time. But it is always there, waiting for us to tap back into it, to bring it back to life.

What if your rituals no longer bring you joy? Do something different! Instead of casting a circle, invoking the gods, etc. why not simply go out and walk the land? Whether you are in the countryside or in a city, find a place where there are green and growing things, and be out there in it. Sense the energies, the time of year, the season and the cycle. Feel that deep within your soul, feel your soul reflecting this back out into the world. Let this invigorate you, and take you out of your rut. Let the change flow into you.

Now re-charged, take some time for re-visioning. See how you would like your Craft to be, not how it has always been. Make the changes that you desire, try new things. If they don’t work, put them aside and try new ones. Take some time to visualise the person you want to be, and then go out and be that person. It won’t happen without a little time and effort expended into the process.

Be the change.

In a happy and inspiring place 🙂

Cover for my upcoming book now complete!

I’m very pleased to present the cover of my next book, coming out with Llewellyn Worldwide in October!

Witches and Brooms – Sex Magic/Sexual Fantasy Or Something Far Greater?

Witches and Brooms – Sex Magic/Sexual Fantasy Or Something Far Greater?

Over the years I’ve heard quite a few people equate the riding of the broom by a witch to a sexual experience. Often these folks state that the witch used a hallucinogenic ointment which was rubbed onto the broom, and then inserted in a sexual manner which made her think she was “flying”. I can tell you, there are a lot easier ways to get high.

This theory comes from a few confessions extracted during the dreadful times of the witch hunts across Europe. What is often forgotten or purposefully left out is the fact that these so-called confessions were extracted under torture. Europe and Scotland had absolutely awful methods of torturing so-called witches to extract information from them, usually with questions led by the examiner to produce a consistent result among the captives. In England, torture was illegal, however, they still kept their victims awake and used sleep deprivation to get what they wanted, as well as having the person kept in one position for hours at a time without being able to move. That’s torture too.

If we are to believe that what was said under torture is factually correct, then we must also believe what else was said alongside this confession. We must believe that these people had sexual congress with goats, or the Devil himself. We must believe that these people suckled their familiars (animal helpers) with their own blood. We must believe a host of other outrageous stories that were created to instil fear and hatred, dividing a populace and creating a space where the old, the weak, the poor and the independent thinkers were targeted against the power of the Church and patriarchy.

It is my firm belief that the sexual imagery of the witch “riding” her broom is the result of the sexually repressed minds of the witch hunters themselves. It is only one of many sexual fantasies created by these men who were paid to bring people in for prosecution. This was their job, and they made money from it. You would have to be quite a horrible type of person to want to do this sort of job in the first place. Just saying.

In fact, the witch riding her broom comes from a long heritage of witches working with staffs, stangs, wands and distaffs. We can trace this work in Europe back to the völva (plural völur), a type of Norse shamanistic practitioner of magic and divination. Völva actually means “staff carrier”. Usually a woman, she always had a staff, sometimes wood, sometimes an ornamental iron distaff. We know this from the many burials found across Scandinavia which have these women buried with the tools of their trade.

I’ve even heard some folks say that the practice of the völva was seen as shameful in Viking society. They use the sexual fantasy imagery and overlay it against the profession of the völva, claiming that this is what she did with her staff, like a witch riding her broom covered in the flying ointment. First, let’s look at the “shameful” aspect.

For women, it was not considered shameful to practice magic, except from a Christian point of view. For men to practice the magic of the völva, known as seidr, it was seen in Viking times as “ergi”, often translated as shameful. For a man to do women’s work was seen as unmanly, though we do have to remember that the sources from which we get this information were written after the Viking period by the patriarchal Christian monks. We also see women warriors, buried with their weapons, and so the question of men’s work and women’s work is even more circumspect. We see in the myths of the gods and goddesses a couple of the gods doing womanly things: Odin learns the art of seidr from the goddess Freya (he’s not seen as unmanly), Thor dresses up as a woman to get into a giant’s hall (still not unmanly) and Loki turns himself into a mare to have sex with another horse (still not called out as unmanly and actually producing Odin’s steed, Sleipnir, in the process).

(Artwork from: https://www.deviantart.com/briannacherrygarcia/gallery)

Add on top of that the fact that all the burials found of the women who are considered to be völur are high status burials, and the question of shame seems absurd. The Osberg ship burial, perhaps one of the most famous Viking ship burials, had the body of a völva laid to rest with with a host of beautiful treasures (what was left of them, for the burial had been broken into a long time before, with many of the goods stolen). No person who was considered shameful would be given such a send off.

The question of drugs does come into play when looking at the ancestors of the more modern-day version of the broom riding witch. Many of the burials were found to have pouches of hallucinogenic herbs on the body, such as henbane or cannabis seeds. These seeds, when thrown onto hot coals would produce a smoke that, when inhaled, would most definitely get you “high”, but not in the way that the sexual fantasy of the witch riding a broomstick would by the witch hunters. The clue is in the staff itself, and what it symbolises.

The word seidr is thought to derive from spinning or weaving. The völur were those who could see the way that fate was woven or spun through their contact with the spirit world. Their distaffs were their link to that ability. For those graves wherein a wooden staff was found, the link lies more with the World Tree that one can use to travel to the nine worlds in Norse cosmology. Through the staff there is a sympathetic link created with the World Tree, with Yggdrasil, and it can be used to “ride” between the worlds.

And this is where the descendant of the völur appears today, in the form of hedge riding, an aspect of Hedgewitchcraft. Riding the staff/stang/broom/whatever you have to hand that resembles the world tree helps you to travel between the worlds in order to find the information that you require in your Craft. Most Hedgewitches today do not use hallucinogens, being able to perform the working through trance states that are induced by other means.

So, in conclusion, the equating of broom riding and sex seems more like a far-fetched fantasy than the actual reality when we dig a little deeper into the history and the ancestry of witchcraft. That it is continuing to be spread today only helps to demean and undermine the power of women in working magic, turning something extremely symbolic and important into a sexually repressed fantasy created by the patriarchy. When a witch is riding her broom, or using her staff, stang or wand in ritual, the lineage is far greater than most people can ever assume, and is far more powerful than any witch hunter could ever dream of.

For a great video on the staff of the völva, see Freya’s video below:

Behind the Scenes: Hedge Riding Video

Here’s a behind-the-scenes look at the filming of my latest video! To see all such videos, and to have access to Patron-only posts, giveaways and more, please join me on my Patreon page 🙂