Delineating Sacred Space in Ritual

Delineating/Designating/Creating Sacred Space (preparing the nemeton)

P1000491 (1024x640)Not all Druids feel the need to delineate/create sacred space (otherwise known as preparing the nemeton) as described previously. Especially when working out of doors, some do not “cast a circle” as is popular in other traditions, feeling that there is no need as they are out there to connect and commune with the world around them, and that all is sacred, therefore we cannot “create” sacred space in any sense. This is why it is sometimes referred to as delineating sacred space, which in effect means to delineate the area that we are working in, to narrow the focus down to a specific point. However, this again can be too confining for some Druids, and so they forego the practice altogether. In Wicca, a circle is cast mostly to contain the energies raised within ritual, and some Druids today use a similar reason for their creation/delineation of ritual space. However, others see this as irrelevant to Druid practice, and so do not incorporate it at all.

In my practice, I delineate sacred space or prepare the nemeton when working with others, so that we are “all on the same page”. What this means is that we are working with the energies of a delineated space, to narrow the focus, so for example we would raise a boundary of energy around the entirety of the back garden, so that we can focus on what is happening in that area, as sometimes widening the focus can be too distracting, what with everything going on all around us at any given time. This way, we can really concentrate on using a smaller area, the microcosm of the macrocosm. However, when working alone I don’t feel the need, usually, to delineate the space as my personal nemeton is sufficient. Much of it depends on my mood, where I am and what feels most appropriate. When casting the circle or delineating sacred space, we can push out energy from our own bodies or expand our own nemeton, and say something similar to the following:

I now cast/create this sacred space, a nemeton of inspiration wherein to do my work.

If we wish, we can use a tool such as a staff, wand or a blade to direct the energy that we are pushing out of ourselves to delineate the sacred space. I use my sickle in this action.

We can then ask the spirits of place, and/or the realms of Land, Sea and Sky to overlay the nemeton:

Spirits of place, lend your energy to my nemeton, that it may be strong. Guide, guard and bless my work.  

May the Realm of the Land provide this nemeton with stability, may the Realm of the Sea provide it with love and may the Realm of the Sky provide it with inspiration. 

When overlaying it in this manner, you can create a space that has been encircled three times, defining a temple space and strengthening it with this triplicity, something which I’m sure our ancient Celtic ancestors would have appreciated.

We can then consecrate the space, should we feel the need. I carry incense and water, normally, to represent earth, air, fire and water. Sometimes I simply smudge the area with mugwort. If I have nothing to hand, for instance when I’m doing impromptu ritual out in the wilds, I might simply ask for a blessing on the space in lieu of consecration. You may say something like:

I now consecrate this area through the powers of earth, fire and air and water.

Or

I now consecrate this area through the powers of Land, Sea and Sky

Or

I ask a blessing on this sacred space, from the spirits of place, the gods and the ancestors.

When closing down the ritual, you then will take down the nemeton, if you have created one, in a similar fashion to that which you created it, but perhaps in reverse order. If you created it in a triple manner as in the example above, you might walk the circumference three times to take it down, drawing the energy back into yourself, or the tool with which you may have cast the circle, perhaps walking in the opposite direction to which you created the sacred space:

I now release this sacred space, the nemeton of inspiration wherein my work/ritual/celebration was done.  

I use my sickle to “cut” the circle and draw the energy back into the blade. Then, if it’s a triple cast circle, I also honour the spirits of place and the three realms for their part in the designation/delineation of sacred space.

Spirits of place, thank you for bringing your energies to my nemeton; I ask that it be released into the world for positive change and transformation. 

May the Realms of the Land, Sea and Sky release the energy of this circle, to flow throughout the worlds in respect and in harmony.

This is basically all there is to creating/designating/delineating sacred space. It is a simple and yet beautiful way to create a temple in which to work, one that leaves no trace behind except our songs and stories on the wind.

Spring Equinox Ritual

17424940_1631874040162911_2176214830578649287_nHere’s a ritual that you can use to celebrate the Spring Equinox. A full set of rituals for the seasons, as well as for life’s passages will be found in my upcoming book, Hedge Druid for Llewellyn Worldwide, available in 2019.

Spring Equinox

For this ritual, try to find a place that is between two places: a threshold place, a liminal place. It might be on the seashore, or a lakeshore, where the water meets the land. It might be a hilltop, where the land meets the sky. Even a backyard can be seen as a liminal place, between your home and the wilderness. You can choose a liminal time as well, such as dawn or dusk, not quite morning, not quite night. This ritual is aimed at opening your mind and your self to wider perspectives, as you stand on the balance point of light and darkness. There is nothing that you need for this ritual, no items at all, but you can always leave an offering if you so choose. Please ensure that it is biodegradable, and compatible with the environment. Songs and poetry are always good options, if you are unsure.

Designate the sacred space, if you feel the need to do so. Some feel more secure within a ritual nemeton (sacred circle), others do not feel the need. Do what feels right for you. Take a moment, a few moments, and connect with the place. Listen, and feel. Allow the place to tell you its story. Connect with it, and become a part of it.

When you are ready, stand and hold your arms out to the sides. Say these or similar words:

I stand at the threshold, in the liminal world between time and space.

I stand upon the knife’s edge, I stand upon the turning point in this liminal place.

I honour the balance of day and night, of dark and light; 

Equal day, equal night.

Grant to me Second Sight. 

Lower your arms, sit down if you wish, and meditate upon the area around you. If you’re feeling adventurous, stand with one leg raised, or on one foot with the other either pushed out in front or behind you. A good pose to use is the “tree pose” in yoga.  If you’re feeling very adventurous, cover one eye with your hand while standing in this posture. This is an ancient posture said to be used by the Druids to see through and beyond the veils to the Otherworld.

Stand in this position for as long as you can. Allow yourself to open up to the place, allow it to give you insight. You can gaze at the clouds scudding overhead, or the waves lapping the shore, or the wind among the leaves of the trees. Let your mind relax, and open itself to what nature is trying to say to you. You may ask a question, or have a problem that needs some inspiration in order to be solved. Allow nature to be your guide, allow the spirits of place to guide you. Allow the liminal nature of the time of the Spring Equinox to take you beyond light and dark, day and night, black and white. Find that balance point, where everything is perfectly held: in your body, in your mind, in your soul and in the world around you. The answer will appear, or you will get insight into your own nature, and/or the nature of the world.

When you are ready, gently come out of this pose, or rise from your seated posture. Hold your arms out to your sides once again, and say these or similar words:

The balance shifts, the doors open and we come through to the other side

The darkness recedes, the light increases and we have no place to hide

Second sight grants to me

Confirmation in times of uncertainty

The Wheel turns round, cycle never-ending

From darkness to light this cycle we’re tending

Hail to the growing light, farewell to the long night

Hail to the awen (inspiration) and to the Second Sight

Give your heartfelt thanks to the spirits of place, for their gifts. Honour in your soul every living thing for its own sake. Honour the times and tides of the Spring Equinox, of balance. When you are ready, give your offering, close down the ritual space if you created a nemeton (sacred circle), and thank the spirits of place once more. Remember, and write down if you need to, what you learned and gained from opening up to the second sight. These insights may well carry you through the light half of the year, until the autumn equinox…

(Designating a sacred space, or circle casting will be discussed in the next blog post.)

Druid Magic

Magic in Modern Paganism is often seen as the ability to make changes through Will, the will of the mind combining with and focusing the energy of the universe. Druid magic is not that different, and there are several ancient accounts of Druid magic that can be found throughout history. As well, there are the Celtic myths and legends to look to, with tales of the spells, feats, incantations and more of certain characters. Indeed, the Tuatha dé Danann, the gods and goddesses that travelled on the North Wind to make their home in Ireland, were also called the Aes Dana or the Gifted People. They were known for their magical ability, and the first Druid magic worked in Ireland was done by them. In Irish, draíocht translates as both spells and magic, and shares its root with the word draoi, meaning Druid.

Druid magic was used for many different purposes: to curse, to bless, to transform, to repel, to create illusion, provide healing, to divine and to bring harmony. There are as many uses for magic as there are intentions of the individual, and so magic was and still is widely used in the Druid tradition. Magic can be empowering to the individual who has tried everything else and has no other recall in a given situation. Many in Modern Paganism adhere to the Wiccan view of the Threefold Law, which states that what you do comes back to you threefold, for good or ill. Druids don’t believe in this law as such, but as those who are questing integration, to create balance and harmony within an environment, performing malicious magical acts isn’t exactly suiting the purpose. Sometimes things will need to be removed, much like pruning a diseased tree. What is most important is that the whole is taken into consideration, and not just the desires of the individual.

It was said that Druids could call up mists, or create fog banks to hide themselves from their enemies. The art of illusion or misdirection was not unknown. Deirdre was made invisible by the Druid fostering her, so that no one could see or hear her. Aonghus Og covers Diarmuid’s lover, Grania, with his mantle or cloak, thereby making her invisible so that they can escape their pursuers.  A mantle is a cloak, and we can still see the use of the word, “to cloak” meaning to conceal. What’s more, mantle in ornithological terms also means the wings of a bird , and there are instances of Druids and even the Tuatha dé Danann being described as wearing a cloak of feathers. Some of these cloaks enabled the Druids to fly, such as the blind Druid Mog Roith so that he can direct a battle accordingly.

There are many various healing techniques in Celtic culture. Healing wells abound through Britain, Ireland and Europe, and are associated with Celtic deities. Other popular magical acts and items include the brat Bríde was a piece of cloth left out on the evening of Brighid’s holy day of Imbolc, and brought back into the house with the power to heal, as well as to protect and ensure abundance of milk in cows and aid in calving, lambing and foaling.  This cloth was not to be washed, otherwise its power would be drained. A brat that was seven years old was especially powerful. Herbs were used in healing, and special charms were recited as the herbs were being collected, as demonstrated by many various charms found in Carmichael’s Carmina Gadelica.

This is but a brief description of Druid magic. I go into much more detail in my upcoming book, Hedge Druid which will be published by Llewellyn Worldwide next year. Concerning Druid magic, we have some ideas, a few tantalising morsels to help us understand what magic was to the ancients Celts. As well, we have our own understanding of how the world works, and we can combine the two in order to achieve magical workings for our own day and age.

Down the Forest Path Podcast

Podcast bannerJust a reminder that we also have an audio version of Down the Forest Path, with weekly podcast episodes (though I may miss out a week here and there, like last week due to another death in the family). It’s been interesting to try out this medium, and although I’m much more comfortable writing than speaking, I feel that this is good for me, as a Druid in honouring an ancient oral tradition. So, every month there is one free podcast available, but to listen to all you will need to subscribe. Subscription lasts for an entire year from signing, and you will also have access to all of my back catalogue items such as the audio version of my book The Awen Alone: Walking the Path of the Solitary Druid, guided meditation, talks and presentations, music and more.

I’ve just uploaded the most recent free podcast for this week, on divination and its relationship with the divine. I hope you like it, and I hope to see you on my Bandcamp page. Enjoy!

Simple Imbolc Celebration and Magic

Cover high resHere is an extract from my upcoming book, “The Hedge Druid’s Craft“, which is another introductory Pagan Portals book and is now available for pre-order.

Imbolc

Imbolc is a gentle festival, where we honour the first signs of Spring after a long winter. It has long been dedicated to the goddess Brighid who has associations with fire and water. Allow this time of year to fill your soul, the air still cold but the warmth of the light from the strengthening sun inspiring you to go out into the worlds and do the work that you have to do. You can light a candle to dedicate yourself at this time to your work, having spent the winter months thinking long and deeply about it. Now is the time to state your intention clearly. You can carve words or symbols into the candle that represent your work, and strew herbs around it to lend their energies (see A Basic Candle Spell below). As you light the candle, state your intention clearly, calling upon the ancestors and the Fair Folk, the gods and goddesses to bear witness. This is not an oath to be made lightly.

Meditate upon the candle’s flame for as long as you wish. Then take a bowl of spring water and anoint yourself with it. I like to collect water from Chalice Well and the White Spring in Glastonbury every time I visit, and I use this special, holy water for use in rituals and in spellcraft. You can draw the shape of a crescent moon upon your brow with the water, or place any other symbols which have meaning to you upon your body. It is also a good time for healing work, and anointing yourself with sacred water on areas of your body that need healing can kick-start the process (as well as following good medical and spiritual advice).

A Basic Candle Spell

Take a candle of an appropriate colour to use in your work. As a very basic guide, red is for love and passion, pink for emotions, blue for healing, green for the environment, brown for animals, yellow for inspiration, purple for magical strength, black for release of negativity. White candles are used for purification, as well as can be used to replace any other colour that you may not be able to obtain.

Sit with your candle and meditate upon the work that you wish to achieve. Then, stating your intention clearly, pour your energy into the candle. Allow energy to flow from your hands into the candle. When you have poured enough into the candle, you can then add more strength to it by carving words or symbols into it, still holding your intention. Then, place the candle it a holder and light it with a match. As you strike the match, keep your intention in your mind, and as you bring the match to the candle’s wick, visualise the power of fire igniting your work. Sit before the candle and meditate upon the flame, still holding your visualisation of the end result of your spellwork coming to fruition. You can add herbs around the base of the candle, if you so wish, to allow them to add their magical energy to your work. You can infuse the herbs with your intention and energy in exactly the same way as you did the candle. See with your mind’s eye a cone of power rising from the herbs around the candle, blending with the candle’s flame and sending the power out into the world.

New Podcast is Up!

Here’s the first of this year’s podcasts, with a little background info on how I came to Druidry. This podcast is free to listen to, but if you’d like to hear them all (and I intend to release one a week) then you can subscribe for only £15 a year. You’ll also get the audio book The Awen Alone: Walking the Path of the Solitary Druid, my music album, talks, meditations and more.

Podcast bannerTo listen, click HERE and visit my Bandcamp page.