My upcoming book is now available for pre-order! Available worldwide. And some more good news – I’ve just signed a contract for it to be made into an audiobook through my publisher 🙂
My upcoming book is now available for pre-order! Available worldwide. And some more good news – I’ve just signed a contract for it to be made into an audiobook through my publisher 🙂
What a year it has been! Despite all the depressing and, quite frankly, rage inspiring bollocks from politics around the world, and the growing problem of plastic and climate change around the world, etc., etc., here in this little part of the world, at my home on the edge of the heath near the North Sea, it’s not been a bad year.
I finished the Big Book of Druidry (as I like to call it) and it was a labour of love. So much work went into that volume, and I hope that it reaches people like The Awen Alone did. I received so many emails from people about The Awen Alone this year, so many wonderful and life-changing stories, and I am so grateful that people took time out of their busy lives to write and share their story.
I also started on another book, veering away from Druidry and into the realms of the Hedge Witch. Stay tuned!
All this writing, combined with an incredible heat wave over this summer, meant that I was much more sedentary that usual, which has resulted in a sluggish body and a few extra pounds that I can feel in my joints. So, this last month I’ve already started to be more active, doing yoga and going for 5k walks as often as I can, and already I can feel my strength returning. I will be teaching intermediate belly dance classes beginning the second week of Jan, so this will also add to my physical activity. I resolve to keep this up over the next year, to be a healthy and as active as I can be, and to enjoy the beauty of nature right outside my doorstep no matter what is on my plate, or whatever the weather.
While writing the new book I’ve felt a shift in my own practice as well. I feel a returning to the path of the witch, where it all started for me 25 years ago at Melange Magique when I was a 19-year old investigating the book shelves of that wonderful shop, in between fussing the cats that freely roamed the aisles and lay upon the counters. With a lot more experience and knowledge behind me, it has given it an entirely new flavour. I have always been a witch, but I had to study to become a Druid. This is the basis for the current work I am writing, which I hope to finish next year.
It’s also led me down side paths that again were explored many years ago, but never fully completed. I’ve felt a call to honour the Germanic and Scandinavian deities that are a part of my heritage, and so my research and practice into the culture, folklore, mythology and more has been re-awakened. While looking at some witchcraft practices for East Anglia to use as examples in my new work, I realised just how similar some of these were to those of north and western Europe, such as the practice of a high seat in seidr. In fact, the art of seidr has intrigued me greatly, and I feel that this will complement my own practice of hedge witchcraft nicely.
Druid College continues to be successful, and due to a high demand for online courses, next year we are putting Year 1 on hold in order to create an online course. This will consist of video and audio material, a downloadable book and online meetings with others on the course. We hope to have this available by 2020, fingers crossed! Our current Year 2 students are doing so very well, and it is indeed a great pleasure to be working alongside such people. After each weekend session, as soon as I get in the car with Robin, we both say how wonderful the people are that have chosen to work with us, and how blessed we are by those that have chosen to join. They bring so much, and I am eternally grateful that these first four years have been as good as they are, which is to say, brilliant!
There have been a few bumps in the road this year, which have given me lessons of experience to work from in the rest of my life. Having to say goodbye to my 16-year old cat last December was so very hard, to make the decision to end her life rather than have her suffer days or weeks of pain as her chest was filled with water due to congestive heart failure and she had trouble breathing, eating, walking, movement of any sort. That was the first time I had to make that kind of decision, and although I doubt it will be any easier should there be a next time, and it took a long time for me to get over it even though my baby girl passed quickly and painlessly, I know it was the right thing to do in that situation. I suffered all winter long from having to make that decision, and my new boy Barnabus was a ray of light during that troubled time.
As well, I had a difficult experience of another sort, when a peer decided to attack me on social media after I had contacted her to request permission to use two verses of an Irish poem she translated. To this day I still have no idea what set her off, but the vitriol of the attack was shocking, and the attempt to destroy me and everything I do quite mind-boggling. It brought back old pains of bullying when I was a child, and affected me on a physical level as well as mental. I realised this when I was walking down my street to the village shop, and in the middle of the street my heart started pounding and I felt very unsafe, like bullies were just waiting around the corner. I had to remind myself that I was 43 years old and no longer a young teenager, and no one was going to physically hurt me. It opened my eyes to the old scars that never truly heal, and I have learned how to better deal with such experiences. Namely, don’t read posts like that on social media, don’t get involved and don’t read all the uninformed comments either! Let the haters hate, there’s not much I can do about their behaviour anyway. As long as I am physically safe, and emotionally okay with a good support network of family and friends, that is what really matters, not what strange people say. I’m still working on compassion for people like that though. It’s not easy.
Back to the creative front, I hope to add more to my Bandcamp page over the next year. I started an album called Seidr, which will contain the songs and chants that come to me in my work over the next year. Perhaps there will even be a blog post or two about the practice of seidr, but in the meantime there is an excellent video by Professor Jackson Crawford on the subject. (I have a total nerd crush on this guy!) There are also some good books, such as The Nine World of Seid-Magic by Jenny Blain, and The Norse Shaman by Evelyn Rysdyck. I also hope to record more podcasts for the page and its subscribers, as well as record the audio book for The Hedge Druid’s Craft. The Awen Alone and The Crane Bag are already on there as audiobooks, so do take a look if you’re interested. All of these will be/are available to subscribers, as well as any new material in the coming year, so you really do get your money’s worth!
So, for this winter I shall be investing heavily in hygge, being more physically active, exploring new paths and learning from past experiences. I hope that 2019 will be a good year for you all, and see you all in the New Year!
We will be postponing our next Year 1 session in Essex, as we have something very exciting brewing in the cauldron of inspiration! Starting in January 2019, we will be preparing our new online correspondence course, a full Year 1 programme, which will consist of online meetings, pre-recorded video and audio lectures, booklets to download and more. We have had so many people get in touch wanting to know if we could offer a correspondence course, as they were physically unable to attend our in-house sessions. And so, we aim to provide this for 2020, alongside our next Year 1 in-house programme. Stay tuned for more updates and info!
The Spirit of Nature Oracle cards by John Matthews and Will Worthington have been re-released by Eddison Books, much to my delight. This deck of 25 cards brings together the wisdom of the Druid Ogam, and the history and magical influence the Green Man has over humanity’s lives still, even in our modern day and age.
The Ogam is a Celtic “alphabet”, a series of lines drawn over a vertical axis that have many various meanings, depending upon the type of Ogam being used. There were over 250 types of Ogam, such as the famous Tree Ogam, Pool Ogam, King Ogam, Bird Ogam, Dog Ogam, even a Food Ogam! These provided the mnemonics necessary to retain and also express a vast wealth of information in as small a form as possible, not unlike poetry and its distillation of meaning to some carefully chosen words. The Green Man is a figure from out of the mists of time, one that has watched over humanity since its inception and throughout its evolution. Trees have been a very important part of humanity’s existence and success, for within their shaded boughs we found safety and security, as well as food and healing.
Bringing the Ogam and the Green Man together is a wonderful way to provide a holistic tree-based divination system. In our modern society, we are a very visual bunch, and so I believe the popularity of oracle cards has gained because of this in our lives. Our memories are filled with such an abundance of other “stuff” than our ancient ancestors held, and so the training to interpret the various meanings of each Ogam would take more time than most have in order to be successful. By bringing the format into something very visual, we can meditate upon the image and see the meanings held there, both historically and in our own personal gnosis, brought to life in an easy form and media that anyone can use.
We have the brilliant artwork by Will Worthington, who used ancient, traditional methods such as painting with egg tempura-based paints upon wooden panels. Matthews’ knowledge and wisdom shines through the text, providing historical background to the Ogam and the Green Man, both simply and eloquently, as anyone who is familiar with his works can attest to (and I’m a big fan). The divinatory meanings are clear and inspired, and yet personal gnosis is recommended first and foremost by Matthews when drawing a card, for to gaze upon the card before outside influence can reveal some truths about the self that others’ interpretations could not touch upon.
There are some suggestions for drawing the cards, based on one, three or five-card spreads. Using the Tree of Life spread, by placing three cards in reference to the Lower, Middle and Upperworld is truly inspired. It’s an approachable deck, for anyone to use, regardless of religious or spiritual background or preference. The cards can simply be used to meditate upon the season and the cycle that we are currently in, as well as being used for divinatory purposes. I would highly recommend using them both ways!
I am so very pleased that this deck has been re-released, and in such a beautiful format. It comes in a sturdy box, to protect both book and cards from being banged around and makes it useful when travelling. My only criticism would be that it would have been nice for the book to have been in colour as well, to match the cards, but being an author myself I am fully aware of the limitations both in print and in financial terms that this would be subject to, and so would say that the beauty of the cards themselves more than makes up for it. The book is great reference and resource material, and the cards are wonderful pieces of artwork. I highly recommend this deck to anyone who loves trees, nature, Celtic lore and spirituality or who just loves and collects oracle cards!
Hello all! I’ve been a bit late in posting a review for Morgan Daimler’s Travelling the Fairy Path, and so I’m also including my review for her latest Pagan Portals as well, coming out next year: Manannán mac Lir: Meeting the Celtic God of Wave and Wonder.
I’ve loved all of Morgan Daimler’s work, and so when the call went out last year for reviews for her Travelling the Fairy Path, I jumped at the chance! This book is a bit of a departure from others in her series dealing with Fairy Witchcraft, in that this work is more personal, and written in a slightly different style, presenting the material in a more conversational manner. It’s hugely informative, as are all of her books, and touches upon issues that are rarely mentioned in other books in the Neopagan world. Discussing the difference between spirits and fairies, how to work with verified or unverified personal gnosis, looking at the lore from the perspective of poetry and music as well as practical information on glamour, shape shifting and more, this book is a great addition and complement to her other works. There is even an entire compendium of ogham knowledge in the appendices, which is extremely useful. I always look forward to more works from this author, and highly recommend her to everyone in the Pagan community, as well as those interested in all things Celtic. Travelling the Fairy Path is available for pre-order, and will be out end of September.
Morgan Daimler’s book on Manannán is a real gem for anyone interested in working with a deity connected to the sea. In a down to earth and easy manner, Daimler presents this god in clear language and with a heartfelt honesty that comes through the words on the page and settles in the heart. Each chapter is a treasure, and we not only cover the Irish aspects of this deity, but also take a look at the Welsh, Manx and Scottish associations, which are all exceedingly helpful. The ritual, meditation and prayer section makes this book truly come alive, as well as the section at the end of each chapter, entitled “Manannan in my life”. Here we see up close and personal how this deity affects the life of the author, and this insight really makes this work stand out. I have thoroughly enjoyed all of Daimler’s work, and she is a true asset to the community. This book will be available end of April 2019, but is now available for pre-order.
Coming out on 1st July (Canada Day!) will be the audiobook version of The Crane Bag: A Druid’s Guide to Ritual Tools and Practices. Here’s a little sneak preview…
What to wear in ritual? Whether you’re a Druid, a Witch, a Wiccan, a Heathen or from any other path this question often comes up. The simplest answer is: wear what you like. However, let’s go into more detail, for the sake of this blog post!
I come from a Druid/Witch/Wiccan background. When I first began on my Pagan path, I performed my solitary rituals either in the nude or in robes that I had made. It all depended upon the season, the intention of the ritual, and practicality of it all. Some indoor magical workings and rituals I would do without a stitch on, as I felt that was most appropriate. As well, having just come out of a ritual bath, it was easy! I have also done some solitary outdoor rituals in the nude, such as honouring the solstice while dancing outside in the warm rain, away from prying eyes. The feeling of the warm, humid air and the rain on my body were wonderful, and is an experience that I will always remember and treasure. However, that ritual was performed during a Canadian summer, where the temperature soars to a very humid 32 degrees, and wearing anything or even moving causes one to break out in a sweat. It was also raining, which meant the bugs were in hiding, and the mosquitoes and blackflies which would otherwise eat me alive were not present.
In a British summer, things can be very different, and four seasons in one day is not uncommon. As well, there are less wild places to be in Britain away from prying eyes, as there are just so many more people on this tiny island than there is spread out across the vastness of Canada. Working in the nude can be extremely liberating, and many of modern Paganism’s leading people such as Wicca’s Gerald Gardner and Druidry’s Ross Nichols were firm believers in naturism: that being unclothed in nature had great benefits to one’s physical and spiritual health. However, in my opinion it can also be cold, uncomfortable and inappropriate.
It is entirely your choice as to how you wish to dress, or undress for ritual. If you are performing it in a public place, then you must remember that in most countries, it is illegal to be nude in public. The laws and the sensitivities of others must be taken into consideration. Some would argue this, such as those who at large Pagan festivals prefer to walk around naked, but I feel that this is inappropriate for many. We do not know everyone’s story, and so to be confronted by a naked person can be very upsetting for some people. There may have been past sexual abuse, or ongoing abuse in their lives. We have to think of the repercussions of our own actions and behaviour, how they will affect others. We are still able to express ourselves in freedom, without upsetting other people.
The last time I was as the White Spring in Glastonbury, it was open to the public and three women went in the main pool (not the bathing pool, I might add) and performed a ritual there in front of everyone with two of the three ladies completely starkers. While that may have been appropriate for a private ritual, when the public are also walking around it is, in my view, highly inappropriate to do so. Imagine a nun from France visiting, or a young schoolgirl who is asked by her teacher “What did you do this weekend?” and she replies “Daddy and I went to the White Spring and watched naked ladies in the water”. I have performed private ritual at the White Spring in the nude with friends, and it was absolutely lovely to immerse ourselves in the sacred and very, VERY cold water (we had to use the main pool, as the bathing pool wasn’t in existence then).
Here in Britain, it is highly unlikely that I will perform any ritual naked out of doors. Even my backyard is overlooked by neighbours either side, and so I keep my clothes on. As well, it’s usually too cold to go out romping in my birthday suit. I completely understand why some people feel the need to do ritual naked, but I don’t see the point when it is illegal, uncomfortable or inappropriate.
Making your own robes can be a richly rewarding practice. There are many simple robe designs that you can find online easily, and all you need to do is have some fabric and a little skill with a needle and thread. I would suggest using fabrics that are natural and that don’t have any man-made material in them if you plan to wear it in ritual, and they are lying next to the skin. Rayon for instance has a tendency to melt onto the skin if caught in a candle’s flame. Also robe designs with big bell sleeves are a no-go for anyone working with fire. No one wants a human torch as part of the ritual!
Many people like the old-fashioned appeal of robes for ritual, feeling that this harkens back to a time that seems more magical than today’s modern age. However, plain comfortable modern clothing can also be appropriate for ritual, if you have no desire or skill to make your own robes. We don’t know if our ancestors, whether they be witches, druids, heathens or whatever dressed in different clothing for every magical working or religious rite. They may very well have worn whatever they were wearing that day, that week, that month (depending on how often they changed their clothing).
When I am trudging out onto the heath for ritual, I wear good boots as I live in adder country. I usually also wear trousers such as jeans that have a heavy material which the gorse cannot penetrate, or at least knee-high boots that can ward off most of the pricks and thorns. I like the dress in natural colours, mostly greens lately as I find this personally pleasing. Green is also a colour associated with the faeries and the Otherworld, and in my current work is very appropriate.
In group ritual, sometimes those organising ask people to come along and dress in specific colours that honour the festival or season. Midsummer might be in fiery hues, for example. Some may wear modern clothing in the appropriate colours, others go for full-on gowns or robes. Either way, this is a nice way to get people together with a certain theme in mind and create a sense of community and harmony, whether you are in modern clothing or ritual robes; at least you’re somewhat matching. Much like making your own robes, doing this can also put you in a ritual frame of mind long before you have left the house. You are already thinking about the ritual as you are choosing or making your clothing. The ritual, indeed, has already begun.
Some people like to wear clothing that is true to ancient times according to their tradition. This can be wonderful way to connect to the ancestors. It is also a lot of fun! Many people who are involved in re-enactment organisations and who are also Pagan like to use this as a theme for their ritual garb. Reconstructionist paths do much the same.
The most important thing is that you like what you are wearing. Even if it is a simple piece of ritual jewellery that you can hide underneath your shirt, if that pleases you then wear it wherever and whenever you do ritual. Being comfortable is also a big factor, as being hot and uncomfortable, sweaty or cold is not really all that conducive to productive ritual. Let what you wear (or don’t wear) reflect your true self, in accordance with the law and propriety. And most of all, let it be fun and enchant you, and be a contributing part of the ritual if you so wish.