We will be postponing our next Year 1 session in Essex, as we have something very exciting brewing in the cauldron of inspiration! Starting in January 2019, we will be preparing our new online correspondence course, a full Year 1 programme, which will consist of online meetings, pre-recorded video and audio lectures, booklets to download and more. We have had so many people get in touch wanting to know if we could offer a correspondence course, as they were physically unable to attend our in-house sessions. And so, we aim to provide this for 2020, alongside our next Year 1 in-house programme. Stay tuned for more updates and info!
The Spirit of Nature Oracle cards by John Matthews and Will Worthington have been re-released by Eddison Books, much to my delight. This deck of 25 cards brings together the wisdom of the Druid Ogam, and the history and magical influence the Green Man has over humanity’s lives still, even in our modern day and age.
The Ogam is a Celtic “alphabet”, a series of lines drawn over a vertical axis that have many various meanings, depending upon the type of Ogam being used. There were over 250 types of Ogam, such as the famous Tree Ogam, Pool Ogam, King Ogam, Bird Ogam, Dog Ogam, even a Food Ogam! These provided the mnemonics necessary to retain and also express a vast wealth of information in as small a form as possible, not unlike poetry and its distillation of meaning to some carefully chosen words. The Green Man is a figure from out of the mists of time, one that has watched over humanity since its inception and throughout its evolution. Trees have been a very important part of humanity’s existence and success, for within their shaded boughs we found safety and security, as well as food and healing.
Bringing the Ogam and the Green Man together is a wonderful way to provide a holistic tree-based divination system. In our modern society, we are a very visual bunch, and so I believe the popularity of oracle cards has gained because of this in our lives. Our memories are filled with such an abundance of other “stuff” than our ancient ancestors held, and so the training to interpret the various meanings of each Ogam would take more time than most have in order to be successful. By bringing the format into something very visual, we can meditate upon the image and see the meanings held there, both historically and in our own personal gnosis, brought to life in an easy form and media that anyone can use.
We have the brilliant artwork by Will Worthington, who used ancient, traditional methods such as painting with egg tempura-based paints upon wooden panels. Matthews’ knowledge and wisdom shines through the text, providing historical background to the Ogam and the Green Man, both simply and eloquently, as anyone who is familiar with his works can attest to (and I’m a big fan). The divinatory meanings are clear and inspired, and yet personal gnosis is recommended first and foremost by Matthews when drawing a card, for to gaze upon the card before outside influence can reveal some truths about the self that others’ interpretations could not touch upon.
There are some suggestions for drawing the cards, based on one, three or five-card spreads. Using the Tree of Life spread, by placing three cards in reference to the Lower, Middle and Upperworld is truly inspired. It’s an approachable deck, for anyone to use, regardless of religious or spiritual background or preference. The cards can simply be used to meditate upon the season and the cycle that we are currently in, as well as being used for divinatory purposes. I would highly recommend using them both ways!
I am so very pleased that this deck has been re-released, and in such a beautiful format. It comes in a sturdy box, to protect both book and cards from being banged around and makes it useful when travelling. My only criticism would be that it would have been nice for the book to have been in colour as well, to match the cards, but being an author myself I am fully aware of the limitations both in print and in financial terms that this would be subject to, and so would say that the beauty of the cards themselves more than makes up for it. The book is great reference and resource material, and the cards are wonderful pieces of artwork. I highly recommend this deck to anyone who loves trees, nature, Celtic lore and spirituality or who just loves and collects oracle cards!
Hello all! I’ve been a bit late in posting a review for Morgan Daimler’s Travelling the Fairy Path, and so I’m also including my review for her latest Pagan Portals as well, coming out next year: Manannán mac Lir: Meeting the Celtic God of Wave and Wonder.
I’ve loved all of Morgan Daimler’s work, and so when the call went out last year for reviews for her Travelling the Fairy Path, I jumped at the chance! This book is a bit of a departure from others in her series dealing with Fairy Witchcraft, in that this work is more personal, and written in a slightly different style, presenting the material in a more conversational manner. It’s hugely informative, as are all of her books, and touches upon issues that are rarely mentioned in other books in the Neopagan world. Discussing the difference between spirits and fairies, how to work with verified or unverified personal gnosis, looking at the lore from the perspective of poetry and music as well as practical information on glamour, shape shifting and more, this book is a great addition and complement to her other works. There is even an entire compendium of ogham knowledge in the appendices, which is extremely useful. I always look forward to more works from this author, and highly recommend her to everyone in the Pagan community, as well as those interested in all things Celtic. Travelling the Fairy Path is available for pre-order, and will be out end of September.
Morgan Daimler’s book on Manannán is a real gem for anyone interested in working with a deity connected to the sea. In a down to earth and easy manner, Daimler presents this god in clear language and with a heartfelt honesty that comes through the words on the page and settles in the heart. Each chapter is a treasure, and we not only cover the Irish aspects of this deity, but also take a look at the Welsh, Manx and Scottish associations, which are all exceedingly helpful. The ritual, meditation and prayer section makes this book truly come alive, as well as the section at the end of each chapter, entitled “Manannan in my life”. Here we see up close and personal how this deity affects the life of the author, and this insight really makes this work stand out. I have thoroughly enjoyed all of Daimler’s work, and she is a true asset to the community. This book will be available end of April 2019, but is now available for pre-order.
Coming out on 1st July (Canada Day!) will be the audiobook version of The Crane Bag: A Druid’s Guide to Ritual Tools and Practices. Here’s a little sneak preview…
What to wear in ritual? Whether you’re a Druid, a Witch, a Wiccan, a Heathen or from any other path this question often comes up. The simplest answer is: wear what you like. However, let’s go into more detail, for the sake of this blog post!
I come from a Druid/Witch/Wiccan background. When I first began on my Pagan path, I performed my solitary rituals either in the nude or in robes that I had made. It all depended upon the season, the intention of the ritual, and practicality of it all. Some indoor magical workings and rituals I would do without a stitch on, as I felt that was most appropriate. As well, having just come out of a ritual bath, it was easy! I have also done some solitary outdoor rituals in the nude, such as honouring the solstice while dancing outside in the warm rain, away from prying eyes. The feeling of the warm, humid air and the rain on my body were wonderful, and is an experience that I will always remember and treasure. However, that ritual was performed during a Canadian summer, where the temperature soars to a very humid 32 degrees, and wearing anything or even moving causes one to break out in a sweat. It was also raining, which meant the bugs were in hiding, and the mosquitoes and blackflies which would otherwise eat me alive were not present.
In a British summer, things can be very different, and four seasons in one day is not uncommon. As well, there are less wild places to be in Britain away from prying eyes, as there are just so many more people on this tiny island than there is spread out across the vastness of Canada. Working in the nude can be extremely liberating, and many of modern Paganism’s leading people such as Wicca’s Gerald Gardner and Druidry’s Ross Nichols were firm believers in naturism: that being unclothed in nature had great benefits to one’s physical and spiritual health. However, in my opinion it can also be cold, uncomfortable and inappropriate.
It is entirely your choice as to how you wish to dress, or undress for ritual. If you are performing it in a public place, then you must remember that in most countries, it is illegal to be nude in public. The laws and the sensitivities of others must be taken into consideration. Some would argue this, such as those who at large Pagan festivals prefer to walk around naked, but I feel that this is inappropriate for many. We do not know everyone’s story, and so to be confronted by a naked person can be very upsetting for some people. There may have been past sexual abuse, or ongoing abuse in their lives. We have to think of the repercussions of our own actions and behaviour, how they will affect others. We are still able to express ourselves in freedom, without upsetting other people.
The last time I was as the White Spring in Glastonbury, it was open to the public and three women went in the main pool (not the bathing pool, I might add) and performed a ritual there in front of everyone with two of the three ladies completely starkers. While that may have been appropriate for a private ritual, when the public are also walking around it is, in my view, highly inappropriate to do so. Imagine a nun from France visiting, or a young schoolgirl who is asked by her teacher “What did you do this weekend?” and she replies “Daddy and I went to the White Spring and watched naked ladies in the water”. I have performed private ritual at the White Spring in the nude with friends, and it was absolutely lovely to immerse ourselves in the sacred and very, VERY cold water (we had to use the main pool, as the bathing pool wasn’t in existence then).
Here in Britain, it is highly unlikely that I will perform any ritual naked out of doors. Even my backyard is overlooked by neighbours either side, and so I keep my clothes on. As well, it’s usually too cold to go out romping in my birthday suit. I completely understand why some people feel the need to do ritual naked, but I don’t see the point when it is illegal, uncomfortable or inappropriate.
Making your own robes can be a richly rewarding practice. There are many simple robe designs that you can find online easily, and all you need to do is have some fabric and a little skill with a needle and thread. I would suggest using fabrics that are natural and that don’t have any man-made material in them if you plan to wear it in ritual, and they are lying next to the skin. Rayon for instance has a tendency to melt onto the skin if caught in a candle’s flame. Also robe designs with big bell sleeves are a no-go for anyone working with fire. No one wants a human torch as part of the ritual!
Many people like the old-fashioned appeal of robes for ritual, feeling that this harkens back to a time that seems more magical than today’s modern age. However, plain comfortable modern clothing can also be appropriate for ritual, if you have no desire or skill to make your own robes. We don’t know if our ancestors, whether they be witches, druids, heathens or whatever dressed in different clothing for every magical working or religious rite. They may very well have worn whatever they were wearing that day, that week, that month (depending on how often they changed their clothing).
When I am trudging out onto the heath for ritual, I wear good boots as I live in adder country. I usually also wear trousers such as jeans that have a heavy material which the gorse cannot penetrate, or at least knee-high boots that can ward off most of the pricks and thorns. I like the dress in natural colours, mostly greens lately as I find this personally pleasing. Green is also a colour associated with the faeries and the Otherworld, and in my current work is very appropriate.
In group ritual, sometimes those organising ask people to come along and dress in specific colours that honour the festival or season. Midsummer might be in fiery hues, for example. Some may wear modern clothing in the appropriate colours, others go for full-on gowns or robes. Either way, this is a nice way to get people together with a certain theme in mind and create a sense of community and harmony, whether you are in modern clothing or ritual robes; at least you’re somewhat matching. Much like making your own robes, doing this can also put you in a ritual frame of mind long before you have left the house. You are already thinking about the ritual as you are choosing or making your clothing. The ritual, indeed, has already begun.
Some people like to wear clothing that is true to ancient times according to their tradition. This can be wonderful way to connect to the ancestors. It is also a lot of fun! Many people who are involved in re-enactment organisations and who are also Pagan like to use this as a theme for their ritual garb. Reconstructionist paths do much the same.
The most important thing is that you like what you are wearing. Even if it is a simple piece of ritual jewellery that you can hide underneath your shirt, if that pleases you then wear it wherever and whenever you do ritual. Being comfortable is also a big factor, as being hot and uncomfortable, sweaty or cold is not really all that conducive to productive ritual. Let what you wear (or don’t wear) reflect your true self, in accordance with the law and propriety. And most of all, let it be fun and enchant you, and be a contributing part of the ritual if you so wish.
We’ve had a winner in the e-newsletter prize draw, and congratulations to Kelly Pederson! The course is now available to all, and here are details of what it includes:
- A 118 page pdf document containing information, practical exercises, things to think about, reference and suggested/further reading
- Audio mp3 files to complement the course, including two meditations and a journeying session, as well as a storytelling session from Robin Herne and a chant to be used in ritual by Joanna van der Hoeven
- Email tutorship from Joanna and Robin throughout the duration of the course. You can take the course as your own speed, there is no time limit.
So, what does this course cover? It covers the basics of Druidry, including:
- What is Druidry
- What is Relationship?
- History of the Druids
- The Gods in Druidry
- The Spirits of Place
- Working with the Ancestors
- The Quarter Days and Fire Festivals
- Druid Ethics
- Druid Philosophy
- Altars and Ritual Tools
- Ritual Structure and Performance
- Anarchy and the End of Submission
- Suggested Reading List
How much does this course cost? It is £75, which includes the pdf file, the audio files and the email correspondence with both tutors. You may correspond as little or as much with the tutors as you like. Payment can be made via online bank transfer, or by cheque in British pounds.
This course is aimed for those new to Druidry, and can also serve as a good refresher for those who have walked the Druid path for many years. It is based on the teachings we provide at Druid College, condensed down to an introduction to Druidry and offered alongside guidance provided by both tutors. This course is about reweaving that connection, our connection to the land, the ancestors, and the gods. It is about learning the native spirituality of these British Isles, and exploring how they work in the wider world. As an introduction into the path that is Druidry, it focuses on our relationship to the land, the ancestors, the gods and the spirits of place.
What you get out of Druid learning is what you put into it. There is no room for passivity; Druidry is very much an active path. No one can do it for you. You must search out the awen, the inspiration yourself. Teachers may act as guides, priests may work as celebrants in ritual, but they do not take the place of active learning on the individual level. No one can do it for you.
So we actively encourage you to take those first steps along the path, and to hold the intention of your learning close to your heart as your journey. Know that the work that you put in will reap benefits, for yourself, your own sense of well-being and for the earth as a whole. For we are all part of the great tapestry of life.
If this sounds like something you would be interested in, then please email email@example.com to register.
We hope that you will take this journey with us. In the meantime, awen blessings!
Joanna and Robin
It’s here! We have finally completed our Introduction to Druidry Online Course, written and tutored by myself and Robin Herne. It’s over 100 pages long, and also comes with audio files such as meditations and a journeying, as well as a storytelling session by Robin. For more information, please email firstname.lastname@example.org. As well, I am offering one lucky person the course, FOR FREE, if they sign up to my monthly e-newsletter, the details of which will be found in March’s e-news, out on 1st March. You can sign up to my newsletter through my website, on the homepage at www.joannavanderhoeven.com.