Wishing you all Happy Holidays 🙂 xoxo
Working with the darkness and the light, the Divine Child and Great Mother – for me, it is the defining theme and journey for this time of year.
Hello folks! Just a shout out that on my Patreon page, on top of other benefits that I’m offering there is also an herbal which I add to each and every month (at the Extra-Special Thanks and also Deepest Gratitude tier). This month I’m looking at one of my favourite trees: beech. I thought I’d share this post with you all here on my blog page, in case you are interested in joining me on my Patreon community page as well!
Beech is a tree that, for some reason, often gets overlooked in many modern and magical herbals. It is not part of the Druid tree ogham, and shows up rarely in other Pagan herbals. As an indigenous British tree, I feel that we need to include the beech once again in our herbal grimoires, and honour this most beautiful and magnificent being.
According to Mrs Grieve, the word beech is thought to derive from the Germanic language and refers to the word “book”. It’s thought that early books were made from beech. Maybe this is why the Druids didn’t include it in their tree ogham? As members of an oral tradition, this might be one use that they’re not terribly comfortable with…
It’s one of our largest and most gorgeous trees. It spreads its canopy and isn’t afraid to shine. In the autumn especially, we see its enchanting beauty as the chlorophyll retreats and the golden leaves begin to glow in the late, slanting sunlight. They then turn to a beautiful, rust colour if they’re not blown away by the autumn winds. The pale grey, smooth trunks stand in silent glory, with little to no undergrowth beneath them to mar their stately splendour. They are truly magical beings, and always make me think of the Fair folk, of the elven wood of Lothlorien in Tolkein’s work, these majestic and proud trees.
Beech wood was often used in the making of chairs, wooden panels for furniture, carpenter’s planes and charcoal for gunpowder. But it’s not just the wood that is useful: the nuts (mast) were very valuable for owners of livestock who grazed their animals in the woods and under these trees on the village common. Like acorns, beech nuts are very nutritious for pigs, and the wild deer, squirrels and badgers are also very fond of them. The whole nuts are not good for human consumption, but the oil extracted from them is used in cooking on the continent. You can also use the oil as a furniture polish.
The tar has been used medicinally as an antiseptic, and also for treating chronic bronchitis. You can also make a liquer from the young leaves (pick them before midsummer). Here is a recipe from Anna Franklin: Fill a jar with them, top up with your favourite spirit (for me, that’s gin) and leave for 10 days. Then and add a pound of sugar per pint of spirit, dissolving the sugar over a low heat but do not boil off the alcohol. Bottle, let it sit for three months to a year, and enjoy!
For magical purposes, beech can be used in spells to enhance one’s appearance, or in spells that call for strength, grace, or adaptability. You can use beech to consecrate your Book of Shadows, or even better, use slats of beech wood as the covers! I also think that beech is a great tree to connect to the Fair Folk, though this is from personal experience, and not something that is written down in any lore.
Grive, M. A Modern Herbal, Cresset Press, 1992
Franklin, A. The Hearth Witch’s Compendium, Llewellyn, 2018
I’ve started a new series of devotionals dedicated to the goddess, Brighid. These are available to my everyone in my Patreon community (which starts from as little as £1 a month). In these posts, you will find material that I have written, and material from others that I have come across in my research and work with the goddess (all material is credited, and links provided to find out more).
Brighid is a goddess that came to me as I was diving deeply into my Druid practice many years ago. She helped me greatly with her blessing on Druid College UK, and motivated me to keep it up (sadly, we’re only offering an online course at the moment, due to the pandemic). She has walked with me for many years, and feeling her with me is like the beautiful, golden autumnal light filling my soul.
If you are interested in joining me in my Patreon community, click HERE to find out more.
Blessings of Brighid be with you!
Note: my Patreon community also enjoys many other benefits, including material for everyone from my personal Book of Shadows, photography and more as well as special material for different levels of support.
Yes, it’s back, and I’m very much honoured to be a panelist again for this wonderful event. This year’s keynote speaker is Eimear Burke, the current chosen chief of the Order of Bards, Ovates and Druids. This online conference is happening on 6 November, so get your tickets now!
New video now up on my YouTube channel 🙂
Over the years I’ve heard quite a few people equate the riding of the broom by a witch to a sexual experience. Often these folks state that the witch used a hallucinogenic ointment which was rubbed onto the broom, and then inserted in a sexual manner which made her think she was “flying”. I can tell you, there are a lot easier ways to get high.
This theory comes from a few confessions extracted during the dreadful times of the witch hunts across Europe. What is often forgotten or purposefully left out is the fact that these so-called confessions were extracted under torture. Europe and Scotland had absolutely awful methods of torturing so-called witches to extract information from them, usually with questions led by the examiner to produce a consistent result among the captives. In England, torture was illegal, however, they still kept their victims awake and used sleep deprivation to get what they wanted, as well as having the person kept in one position for hours at a time without being able to move. That’s torture too.
If we are to believe that what was said under torture is factually correct, then we must also believe what else was said alongside this confession. We must believe that these people had sexual congress with goats, or the Devil himself. We must believe that these people suckled their familiars (animal helpers) with their own blood. We must believe a host of other outrageous stories that were created to instil fear and hatred, dividing a populace and creating a space where the old, the weak, the poor and the independent thinkers were targeted against the power of the Church and patriarchy.
It is my firm belief that the sexual imagery of the witch “riding” her broom is the result of the sexually repressed minds of the witch hunters themselves. It is only one of many sexual fantasies created by these men who were paid to bring people in for prosecution. This was their job, and they made money from it. You would have to be quite a horrible type of person to want to do this sort of job in the first place. Just saying.
In fact, the witch riding her broom comes from a long heritage of witches working with staffs, stangs, wands and distaffs. We can trace this work in Europe back to the völva (plural völur), a type of Norse shamanistic practitioner of magic and divination. Völva actually means “staff carrier”. Usually a woman, she always had a staff, sometimes wood, sometimes an ornamental iron distaff. We know this from the many burials found across Scandinavia which have these women buried with the tools of their trade.
I’ve even heard some folks say that the practice of the völva was seen as shameful in Viking society. They use the sexual fantasy imagery and overlay it against the profession of the völva, claiming that this is what she did with her staff, like a witch riding her broom covered in the flying ointment. First, let’s look at the “shameful” aspect.
For women, it was not considered shameful to practice magic, except from a Christian point of view. For men to practice the magic of the völva, known as seidr, it was seen in Viking times as “ergi”, often translated as shameful. For a man to do women’s work was seen as unmanly, though we do have to remember that the sources from which we get this information were written after the Viking period by the patriarchal Christian monks. We also see women warriors, buried with their weapons, and so the question of men’s work and women’s work is even more circumspect. We see in the myths of the gods and goddesses a couple of the gods doing womanly things: Odin learns the art of seidr from the goddess Freya (he’s not seen as unmanly), Thor dresses up as a woman to get into a giant’s hall (still not unmanly) and Loki turns himself into a mare to have sex with another horse (still not called out as unmanly and actually producing Odin’s steed, Sleipnir, in the process).
(Artwork from: https://www.deviantart.com/briannacherrygarcia/gallery)
Add on top of that the fact that all the burials found of the women who are considered to be völur are high status burials, and the question of shame seems absurd. The Osberg ship burial, perhaps one of the most famous Viking ship burials, had the body of a völva laid to rest with with a host of beautiful treasures (what was left of them, for the burial had been broken into a long time before, with many of the goods stolen). No person who was considered shameful would be given such a send off.
The question of drugs does come into play when looking at the ancestors of the more modern-day version of the broom riding witch. Many of the burials were found to have pouches of hallucinogenic herbs on the body, such as henbane or cannabis seeds. These seeds, when thrown onto hot coals would produce a smoke that, when inhaled, would most definitely get you “high”, but not in the way that the sexual fantasy of the witch riding a broomstick would by the witch hunters. The clue is in the staff itself, and what it symbolises.
The word seidr is thought to derive from spinning or weaving. The völur were those who could see the way that fate was woven or spun through their contact with the spirit world. Their distaffs were their link to that ability. For those graves wherein a wooden staff was found, the link lies more with the World Tree that one can use to travel to the nine worlds in Norse cosmology. Through the staff there is a sympathetic link created with the World Tree, with Yggdrasil, and it can be used to “ride” between the worlds.
And this is where the descendant of the völur appears today, in the form of hedge riding, an aspect of Hedgewitchcraft. Riding the staff/stang/broom/whatever you have to hand that resembles the world tree helps you to travel between the worlds in order to find the information that you require in your Craft. Most Hedgewitches today do not use hallucinogens, being able to perform the working through trance states that are induced by other means.
So, in conclusion, the equating of broom riding and sex seems more like a far-fetched fantasy than the actual reality when we dig a little deeper into the history and the ancestry of witchcraft. That it is continuing to be spread today only helps to demean and undermine the power of women in working magic, turning something extremely symbolic and important into a sexually repressed fantasy created by the patriarchy. When a witch is riding her broom, or using her staff, stang or wand in ritual, the lineage is far greater than most people can ever assume, and is far more powerful than any witch hunter could ever dream of.
For a great video on the staff of the völva, see Freya’s video below:
A full day of filming, another of editing and some extra hours on sound. But I’m pleased with the results!
New video now up! Complete with bluebells!
The next installment of the Druid Festival series is now available 🙂 I hope you like it!