We will be postponing our next Year 1 session in Essex, as we have something very exciting brewing in the cauldron of inspiration! Starting in January 2019, we will be preparing our new online correspondence course, a full Year 1 programme, which will consist of online meetings, pre-recorded video and audio lectures, booklets to download and more. We have had so many people get in touch wanting to know if we could offer a correspondence course, as they were physically unable to attend our in-house sessions. And so, we aim to provide this for 2020, alongside our next Year 1 in-house programme. Stay tuned for more updates and info!
The Spirit of Nature Oracle cards by John Matthews and Will Worthington have been re-released by Eddison Books, much to my delight. This deck of 25 cards brings together the wisdom of the Druid Ogam, and the history and magical influence the Green Man has over humanity’s lives still, even in our modern day and age.
The Ogam is a Celtic “alphabet”, a series of lines drawn over a vertical axis that have many various meanings, depending upon the type of Ogam being used. There were over 250 types of Ogam, such as the famous Tree Ogam, Pool Ogam, King Ogam, Bird Ogam, Dog Ogam, even a Food Ogam! These provided the mnemonics necessary to retain and also express a vast wealth of information in as small a form as possible, not unlike poetry and its distillation of meaning to some carefully chosen words. The Green Man is a figure from out of the mists of time, one that has watched over humanity since its inception and throughout its evolution. Trees have been a very important part of humanity’s existence and success, for within their shaded boughs we found safety and security, as well as food and healing.
Bringing the Ogam and the Green Man together is a wonderful way to provide a holistic tree-based divination system. In our modern society, we are a very visual bunch, and so I believe the popularity of oracle cards has gained because of this in our lives. Our memories are filled with such an abundance of other “stuff” than our ancient ancestors held, and so the training to interpret the various meanings of each Ogam would take more time than most have in order to be successful. By bringing the format into something very visual, we can meditate upon the image and see the meanings held there, both historically and in our own personal gnosis, brought to life in an easy form and media that anyone can use.
We have the brilliant artwork by Will Worthington, who used ancient, traditional methods such as painting with egg tempura-based paints upon wooden panels. Matthews’ knowledge and wisdom shines through the text, providing historical background to the Ogam and the Green Man, both simply and eloquently, as anyone who is familiar with his works can attest to (and I’m a big fan). The divinatory meanings are clear and inspired, and yet personal gnosis is recommended first and foremost by Matthews when drawing a card, for to gaze upon the card before outside influence can reveal some truths about the self that others’ interpretations could not touch upon.
There are some suggestions for drawing the cards, based on one, three or five-card spreads. Using the Tree of Life spread, by placing three cards in reference to the Lower, Middle and Upperworld is truly inspired. It’s an approachable deck, for anyone to use, regardless of religious or spiritual background or preference. The cards can simply be used to meditate upon the season and the cycle that we are currently in, as well as being used for divinatory purposes. I would highly recommend using them both ways!
I am so very pleased that this deck has been re-released, and in such a beautiful format. It comes in a sturdy box, to protect both book and cards from being banged around and makes it useful when travelling. My only criticism would be that it would have been nice for the book to have been in colour as well, to match the cards, but being an author myself I am fully aware of the limitations both in print and in financial terms that this would be subject to, and so would say that the beauty of the cards themselves more than makes up for it. The book is great reference and resource material, and the cards are wonderful pieces of artwork. I highly recommend this deck to anyone who loves trees, nature, Celtic lore and spirituality or who just loves and collects oracle cards!
Coming out on 1st July (Canada Day!) will be the audiobook version of The Crane Bag: A Druid’s Guide to Ritual Tools and Practices. Here’s a little sneak preview…
We’ve had a winner in the e-newsletter prize draw, and congratulations to Kelly Pederson! The course is now available to all, and here are details of what it includes:
- A 118 page pdf document containing information, practical exercises, things to think about, reference and suggested/further reading
- Audio mp3 files to complement the course, including two meditations and a journeying session, as well as a storytelling session from Robin Herne and a chant to be used in ritual by Joanna van der Hoeven
- Email tutorship from Joanna and Robin throughout the duration of the course. You can take the course as your own speed, there is no time limit.
So, what does this course cover? It covers the basics of Druidry, including:
- What is Druidry
- What is Relationship?
- History of the Druids
- The Gods in Druidry
- The Spirits of Place
- Working with the Ancestors
- The Quarter Days and Fire Festivals
- Druid Ethics
- Druid Philosophy
- Altars and Ritual Tools
- Ritual Structure and Performance
- Anarchy and the End of Submission
- Suggested Reading List
How much does this course cost? It is £75, which includes the pdf file, the audio files and the email correspondence with both tutors. You may correspond as little or as much with the tutors as you like. Payment can be made via online bank transfer, or by cheque in British pounds.
This course is aimed for those new to Druidry, and can also serve as a good refresher for those who have walked the Druid path for many years. It is based on the teachings we provide at Druid College, condensed down to an introduction to Druidry and offered alongside guidance provided by both tutors. This course is about reweaving that connection, our connection to the land, the ancestors, and the gods. It is about learning the native spirituality of these British Isles, and exploring how they work in the wider world. As an introduction into the path that is Druidry, it focuses on our relationship to the land, the ancestors, the gods and the spirits of place.
What you get out of Druid learning is what you put into it. There is no room for passivity; Druidry is very much an active path. No one can do it for you. You must search out the awen, the inspiration yourself. Teachers may act as guides, priests may work as celebrants in ritual, but they do not take the place of active learning on the individual level. No one can do it for you.
So we actively encourage you to take those first steps along the path, and to hold the intention of your learning close to your heart as your journey. Know that the work that you put in will reap benefits, for yourself, your own sense of well-being and for the earth as a whole. For we are all part of the great tapestry of life.
If this sounds like something you would be interested in, then please email firstname.lastname@example.org to register.
We hope that you will take this journey with us. In the meantime, awen blessings!
Joanna and Robin
It’s here! We have finally completed our Introduction to Druidry Online Course, written and tutored by myself and Robin Herne. It’s over 100 pages long, and also comes with audio files such as meditations and a journeying, as well as a storytelling session by Robin. For more information, please email email@example.com. As well, I am offering one lucky person the course, FOR FREE, if they sign up to my monthly e-newsletter, the details of which will be found in March’s e-news, out on 1st March. You can sign up to my newsletter through my website, on the homepage at www.joannavanderhoeven.com.
The candles were lit, the incense smoking, and the bells of the church ringing in the still night air. Friday night is the practice night for the village bell-ringers, and so our ritual was accentuated by their skilful tones. The moon was riding high in a hazy sky, and haloed with an ever-widening ring that spoke of the Otherworld.
We raised our boundary, which was to the whole of the property, and called to the realms of Land, Sea and Sky. We honoured the ancestors at the full moon of Samhain, as well as the spirits of place. We invited the Fair Folk who were in tune with our intention, as they have been a part of our rituals since we began. We sang to the four quarters, and then invoked the gods. We invited all who were harmony with us this Samhain night. This was our first time in invoking the god into our full moon ritual, but it felt right. How right, we were just about to discover.
We honoured the tides of Samhain, the winter months of darkness. We then performed our magical working at the fire, and gathering our clooties: ribbons of intention that we tie to the branches of the apple tree at the bottom of the garden every month. Walking back to the terrace where the bird bath, now a sacred basin of water reflecting the moonlight, served as our vessel as we drew down the moon into the water. The church bells rang in time to our working, and stopped just as we finished. The air was utterly still.
Suddenly, a loud bark sounded from the other side of the hedge, down the track a little ways. A fallow deer stag, wandering the moonlit night. We stopped and turned to the noise, and he barked again, this time a little closer. We looked to each other and smiled, feeling blessed by his presence. Then an enormous bark, just the other side of the cedar boundary, which made us all jump. He was right up against the hedge, near the little hole that the muntjac, fallow deer and badgers made.
And he was trying to come through.
We could hear him brushing against the hedge, wanted to come through the doorway, but his antlers preventing him from doing so. The firelight made the area where the entrance lay shadowed from our sight. Our breath quickening, we looked at each other. The God was here, and he was making himself known. He paced along the back boundary, trying to come through first one hole in one corner, and then the other. He then returned to the middle of the hedge, where the boundary between the civilised and the wild lay, that doorway to the Otherworld that lay in the hedge, and pawed the ground, sniffing the night air, sniffing the scent of the three women gathered around the sacred pool. Gathered around the sacred pool, with hearts beating loudly in their breast.
“A blessing to you, God of Samhain, Lord of the Wildwood. May your journey into darkness be blessed, and we are honoured by your presence,” I whispered softly into the night, tears falling down my cheek.
We heard him still sniffing, and we felt his eyes upon us. The world stood still, and we hardly dared to breathe. Would he change his shape and come through? What would we do if that happened? A hush descended, and we no longer heard him just the other side of the hedge. With hands slightly shaking, we dipped our clooties into the water and walked down to the apple tree, right where he had been sniffing just the other side. As we walked, we sang to let him know we were approaching. “Deep into the earth I go, deep into the earth I go. Hold my hand, brother; hold my hand. Hold my hand, sister; hold my hand”. We bravely tied our ribbons to the branches, knowing that the God stood only a few feet away from us. Stepping back, we finished the chant, and bowed to the apple tree and hedge, bathed in the soft moonlight. Silence reigned. We knew he was no longer there, and we didn’t hear him leave. He simply disappeared through the veil between the worlds.
We made our offering, and gazed into the mirror at the fairy portal shrine I made under the beech tree. We saw things: bonfires on the hills of Tlachtga, owl-faced warriors, deep caverns beneath the earth, the land of the sidhe, and the Mari Lwyd. We circled the fire clockwise three times for blessings, and then ended our rite, breathless and filled with wonder.
May the Lord of the Wildwood bless you all this season, may you find nourishment in the darkness of winter.
© Joanna van der Hoeven 2017