Two more days…

On Sunday, Dec 1 the second book in my new fiction series, Witches of the New Forest, will be released! The Veil Between the Worlds was written straight after I finished Hedge Witch, and then they both were edited one after the other. That’s why there’s only around a month in between release dates! Also, as there was a cliffhanger at the end of the first book, I wanted to release the second as soon as possible. So, here we are! I hope you enjoy them 🙂

You can pre-order the Kindle version now!

Click HERE to buy in the US

Click HERE to buy in the UK

Click HERE to buy in Canada

Paperback not available for pre-order, but coming out on the same day, 1 December!

Wow, That Was Fast!!!

Hot on the heels of the first book, Hedge Witch in my new fiction series, Witches of the New Forest, is this new second book, The Veil Between the Worlds. How did it come about so fast? I’ll tell you!

The first two books in this series were actually written one right after the other. As the story crosses over both books, I didn’t want to leave a huge gap in between them, as there is a bit of a cliffhanger ending in the first book! So, when I finished writing the first one, I immediately began the second. Once the second book was finished, then I started editing the first. When the editing was done, I then released it, and began editing for the second. So, September/October was spent editing Hedge Witch, and October/November was spend editing The Veil Between the Worlds. 

The third book in the series, The Witch’s Compass, will be out late spring/early summer of 2025. This will the the third part of Hunter’s trilogy, before we move on to her sister, Ryder’s story. That’s going to be fun to write! Ryder is a great character, as is Hunter, but so, so very different. 

The Veil Between the Worlds is availabe for pre-order on the Kindle version only. The paperback is not available for pre-order, but will be released at the same time as the Kindle version comes out, which is 1 December 2024. 

I am having so much fun writing these books. Writing fiction is such a joy, and is what I have always wanted to do. Ever since I was twelve years old, I’ve had stories running through my head that I just had to write. It started with handwriting in unused school notebooks, and then moved onto an old manual, clackety typewriter before our family got an old second-hand electronic typewriter, which was much better for my hands than the other, older one! I wish I still had that little, blue typewriter that I began my writing career with nearly forty years ago.

It was only decades later that I released my first book, and from there went to writing non-fiction books on subjects that were so very dear to my heart:  Druidry and Witchcraft, with some Zen Buddhism thrown in for good measure. I am so very proud of the work that I have accomplished over the years, and I still have another book coming out in the non-fiction category: The Old Ways, A Hedge Witch’s Guide to Living a Magickal Life (published through Llewellyn). This one will be released on 8 April 2025, but is available for pre-order now. 

All of my work is written from the heart. Whether it’s fiction or non-fiction, I only write what I am passionate about, what I love. I feel that is the best way to write, and I am so blessed to be able to do this kind of work. Through the support of those who have followed me throughout the years, my readers, followers on social media, and my Patreon community I have been able to continue writing, and creating other content such as videos, music and more. Truly, I am blessed. 

Authors today need support. The market is changing so quickly, with so many new challenges to face. Technology is racing away, with very little thought as to the repercussions on human beings, their lifestyle, their livelihoods and their creativity. If you have favourite authors, please support them any way you can. Buying their books is, of course, the best way, but did you know that leaving reviews on Amazon will help a book be seen to more people? Even if it is just a star rating that you have the time for, it all makes such a difference. Written reviews also help the author to see what people liked and didn’t like about the work, and can inspire them in their own creativity and help them to progress in their career. Leaving reviews on other platforms such as Goodreads helps to get the word out as well. And don’t forget to share social media posts from your favourite authors, as word of mouth is still one of the best ways you can help!

I hope that you enjoy my new fiction series. And don’t forget, books make excellent holiday gifts! 

Many blessings to you,

Joanna

P.S. The links I’ve included in this post are for Amazon UK. If you live in a different country, you will have to visit that Amazon page in order to be able to get to the pre-order or ordering section for that book. Thank you!

Second Video in Land, Sea, & Sky series now up!

I’ve been so busy with the release of my new fiction series, Witches of the New Forest, and the first book, Hedge Witch. The second book, The Veil Between the Worlds is also written, and is currently in the final editing stage, so I’m hopeful for an early December release! All this being said, I haven’t had the time to make the second instalment in the Land Sea and Sky video series for my YouTube channel, until today! So, here you go, and I hope you like it!

Today is the Day!!!

A new chapter of my life has begun, with the release of the first book in my new fiction series, Witches of the New Forest. Hedge Witch is Book 1, and forms a trilogy before we move on to other characters, and their stories, throughout the rest of the series. I am so excited, and I hope you all enjoy this new series. And Book Two, The Veil Between the Worlds, is on track for a December release!

Paperback and Kindle editions are available on Amazon: https://www.amazon.com/Hedge-Witch-Witches-Forest-Book/dp/B0DLLFZDKM/

It’s out tomorrow!

The Struggle is Real

Pagan books sales have gone down radically in the last year and a half, despite the increasing number of books being made available. It seems to reflect what many of us authors have been worried about for several years now. The sales aren’t even made up with e-books, as those have dropped significantly as well. Audiobooks for non-fiction still aren’t that popular either, and the revenue from them has always been minimal. So why is there this sudden and sharp decline in books sales?

When I first started learning about and practicing various forms of Paganism in the early 1990’s, books and events were the go-to places to gather the information that I sought out. The choice of books available in the bookstores was only a handful stuffed somewhere in the “New Age” section. The internet didn’t exist, but you could order books from glossy catalogues that companies such as Llewellyn provided, which wasn’t too bad if you lived in the US but if you lived anywhere else, the shipping fees were astronomical. And so you just had to make do with what your local bookstore provided. If you were lucky to have a witchy type shop near you, the selection was a little better, but shelf space was always at a premium. And we didn’t even bother much with libraries back then, because they would never stock those sorts of books in the first place. Finding books to read was a real struggle, but such a joy when you did find one that resonated with you.

The coming of the internet was a huge blessing for the Pagan community who wanted to connect with others, talk about authors and books and find solace with others when the community was so small and so widespread. Books began to be marketed online, which was a real boon to the publishing industry. And yet, with more people online than ever before, what has happened to book sales lately? Surely they should still be increasing?

Nope. I’ve talked to my publishers, I’ve talked to other authors and everyone is seeing a real downturn in books sales. We’ve been scratching our heads, trying to figure out why. As book lovers ourselves, it’s difficult to fathom how this downturn has come about so suddenly. So here is my take on what’s going on, and how it could very well spell the end of non-fiction books in the coming future.

  1. People can get information for free online. As people are online more and more and there are so many different channels to get information from, why buy a book? You could watch a video, read a blog and receive a ton of information anywhere for free. I know that if I was a youngster just starting out, the majority of my information would be garnered from this form of transmission simply because it is free.
  • People don’t have spare cash to buy books right now. Everyone I know is hurting more and more financially, and if it comes down to buying your groceries for the week or buying a book, you will buy the food. I hope.
  • You can find pirated copies of pretty much anything online. Need I say more?
  • Attention spans are waning. It’s a fact. “In the early 2000s, she and her team tracked people while they used an electronic device and noted each time their focus shifted to something new—roughly every 2.5 minutes, on average. In recent repeats of that experiment, she says, the average has gone down to about 47 seconds.” https://time.com/6302294/why-you-cant-focus-anymore-and-what-to-do-about-it/ (I actually had trouble reading this article, not because of attention span but because four different pop-ups kept interrupting my reading. Oh, the irony.)
  • When a book is released, it is competing will millions of other books these days. With so much choice, it’s wonderful for the reader out there. But for the author? It seriously dilutes the sales. Unless you have a slick marketing team that works for you.
  • Authors can’t afford slick marketing teams. The shift in lots of publishing has been to place the onus of marketing up on the author, as the publishers have to make cuts somewhere just to stay competitive. Most authors aren’t marketers. I spent nearly a decade in marketing for a world-famous music venue here in England. That has seen me in good stead for the last ten years, but even now I’m struggling against a tide of everything that I’ve mentioned above.

The struggle is real, folks. I hope one day that books will have a resurgence, that cosying up with a book on a rainy day will replace hiding under your duvet with your smartphone. There is just something about a book, something that feels like an old friend you can turn to, something that you can hold in your hands, that ages even as you age, the feel of something material rather than something immaterial.

 Go analogue for a while. Slow down. Smell the books along the way. Because who knows how long they’ll be here?

The Three Realms of Druidry: The Land

A new video is now up on my YouTube channel, the first of a three-part series on the The Realms of Druidry (Land, Sea and Sky). I hope you like it!

What Is Hedge Druidry?

There seems to be some confusion over just what Hedge Druidry is, even in the Druid community. I should hope that my writing will clear up some of this confusion and misperception, and for a full account there is always the work that I am most proud of, which is The Book of Hedge Druidry: A Complete Guide for the Solitary Seeker. However, here in blog post I will address some of the misconceptions, and share my love, knowledge and experience of the tradition.

Let’s begin with one of the latest misconceptions that I have come across. I have read in a recently released book on Druidry that Hedge Druids are those “who believe that each Druid can make it up as they go along, collecting bits of lore and ways of worshipping from disparate sources, Druid or not, both ancient and recently invented.” The tone of this seems to be a bit condescending and condemning, and perhaps comes from an uninformed point of view regarding Hedge Druidry as a specific tradition.

Hedge Druidry is deeply connected to the culture, language and study of ancient and modern Druidry. Without that, it wouldn’t be Druidry. Only by understanding the history and context of Druidry, both ancient and modern, can we create an inspirational tradition today that is rooted in the past, but not chained to it. For Druidry does evolve, in order to be relevant to today’s world. But the above statement isn’t entirely untrue either, though probably not in the light that it was presented.

Do we make it up as we go along? Well I much prefer spontaneous ritual, that’s for certain. My words in ritual are never written down. I have an idea of what I am going to say, along with the ritual actions and intention based upon my decades of research into Druidry and the many, many rituals that I have performed over the years. I might write down my ritual beforehand, especially if I am sharing it with others, with a set ritual format to follow, but the words, the feelings and motions are totally spontaneous, deeply in the moment and connected to the spirits of time and place. My rituals are based on a knowledge and love of Celtic lore and my rituals, offerings, and prayers are all rooted in that soil. I have studied Druid ritual in many, many forms and, as no one single tradition of Druidry has survived since ancient times, we are all just trying to create rituals that are sound and which are inspiring, which connect us to the time, place, ancestors and deities based on what we know from history and what is meaningful today. Druidry has no liturgy, but many of my own rituals and those of other Hedge Druids follow a stylised format entrenched in Celtic lore and deeply connected to the land. It gives us an outline to follow, to which our spontaneous words spoken in the moment to those who are with us, both human and other-than-human, can witness.

Do we collect bits of lore and ways of worshipping from disparate sources, Druid or not, both ancient and recently invented? Of course we do. So do all Druids, whether they are Celtic Reconstructionist or from any other branch on the Druidic tree. We have ancient Classical Greek accounts, Roman accounts, and Irish and Welsh records written by Christian monks. We also pull from modern archaeology and, for some, the Romantic and other Revival periods in history, art and literature. We also look through the lens of comparative religion, in order to better understand and make links to the Druid tradition where there might be gaps in the knowledge, looking at shared proto-Indo European roots such as with Hinduism.

As well, there is the importance of the hedge in Hedge Druidry, which is often forgotten, not mentioned or not even known to some in the Druid community.

So just what is Hedge Druidry then? Well, here’s an excerpt from the beginning of my book, The Book of Hedge Druidry:

The Hedge Druid is a more recent term that applies to someone who walks the Druid path for the most part alone, using their wit and intelligence, the wisdom gained from long hours of research and practical experience in order to create their own tradition that is right for them and their environment. The term “hedge” when applied to Druidry stems from the 19th century term, “hedge priest”, which denoted a priest of the Christian faith who did not follow a particular or established tradition, had no church per se and who preached “from the hedgerow”. The term was first applied to Witchcraft in modern Paganism, and popularised by the author Rae Beth. The term then spread to Druidry, and became synonymous with solitary practitioners, who were not part of any Order or Grove or other established sect. Not all solitary practitioners of Druidry would call themselves Hedge Druids, however it is a term that is growing in popularity. However, in this work I shall show how Hedge Druidry goes beyond the notion of a solitary practitioner, into something that is deeper and more connected to the natural world.

The Hedge Druid is also one who rides the hedge, who travels between the worlds, who works with boundaries and the liminal places where the edges blend and meet. The term “hedge-riding” is a practice found in the Pagan community, mostly in Witchcraft traditions. It stems from the German word hagazissa which means “hedge sitter”. The Saxon term is “haegtessa” and both are where we get our word “hag”. Someone who rides the hedge can straddle the worlds, this world and the Otherworld, to bring back wisdom and information to use in our world, the Middleworld. We will learn more about the importance of the hedge and also hedge riding in later chapters. Suffice it to say that working with the boundaries of the civilised world and that which lies beyond the hedgerow is the world of the Hedge Druid, connecting and weaving together those threads to shape the world and find balance and harmony with the whole. It is the known world and the wilderness beyond that shapes and informs our earth-based tradition.

For me, Druidry is mostly a solitary path, though I do belong to some Druid Orders and networks, and celebrate the seasons with a few friends.  But the everyday Druidry, the currents of intention that flow through me and my home and through the landscape where I live is my main focus.  It is a mostly solitary pursuit. Like learning, I always preferred to do it on my own, rather than working with a group, for I found that my concentration was higher, and I could have a deeper level of experience than I could with the influence of others upon my work. The day to day living of my Druid path is what is most important, punctuated by the celebration of the seasons and festivals with others.

Of course, we are never truly solitary creatures, but in this sense I am using the word “solitary” with regards to other humans.  I am never truly solitary, for I am always surrounded by nature and all its creatures every single second of my life.  I am always a part of an inter-connected web of existence. Living this connection, weaving the threads of my life to that of my environment and all that exists within it, means that there is no separation, no isolation. Yet, when asked to describe my path, I use the word solitary or Hedge Druid in the sense that I prefer to find such connection on my own, without other humans around. Why this should be so is perhaps due to my nature: naturally shy, and sensitive to noise, light, barometric pressure and other phenomena, it is just easier to be “alone” most of the time.

It is similar to the path of the mystic, or a monastic. The path of the mystic is much the same; a solitary path where personal connection to the divine is the central focus.  Some would say that the mystic path is the search for the nature of reality. For me, Druidry is the search for reality within nature, and so the two can walk hand in hand down this forest path. There are many elements of mysticism in my everyday life, where the songs of the land and the power of the gods flow through me, the knowledge from the ancestors deep within my blood and deep within the land upon which I live, rooted in its soil and sharing its stories on the breeze. To hold that connection, day in and day out, to live life fully within the threads of that tapestry is what I aspire to do, each and every moment.  Sometimes a thread is dropped, and it requires a deep mindfulness to restore it, but practice helps when we search for those connecting threads, becoming easier with time and patience both with the world and with your own self.

The monastic retreats from the world to connect with the essence of the divine, however you may describe it.   There is a deliberate intention to be separate from the so-called “mundane” world, or secular culture. However, within Druidry we realise that there is no such thing as mundane, and the duality between the physical and the spiritual is something that is anathema to the tradition. Learning how to be in the world is of great value, even as great value is found in being alone. For some, I’m sure a monastic Druid tradition would be a most agreeable way to live, but for most they prefer to work in the world rather than separate themselves from it, because they understand that separation is merely an illusion.  Most non-gregarious Druids would prefer the path of the mystic, rather than the monastic, for that very reason. The mystic seeks integration, the monastic separation.

Yet both have many other similarities. Both seek to release the vice-like grip we have on our sense of self, the ego that we try to protect at all costs. The dissolution of the ego can be seen as at the heart of many Eastern traditions. Druidry teaches us integration, our ego perhaps not dissolving but blending in with that of our own environment. We don’t think less of ourselves, but rather think of ourselves less. The animism that is a large part of Druidry for many helps us to see the sacredness of all existence, and in doing so we are not seeking annihilation, but integration. We can perhaps dissolve the notions and out-dated perceptions that we have, both about the world and about ourselves, leaving the self to find its own edges and then blending in to the world around us, truly becoming part of an ecosystem where selflessness is not altruistic, but necessary for the survival of the system.

The flowing inspiration (otherwise known as the awen) where soul touches soul and the edges melt away into an integrated way of being has always been at the heart of Druidry.  The three drops of inspiration or wisdom from the goddess Ceridwen’s cauldron contain that connection; they contain the awen that, with enough practice, is accessible to all. We have to spend time brewing our own cauldron of inspiration, filling it with both knowledge and experience before we can taste the delicious awen upon our lips. Some prefer to do this with others; some prefer to do so alone.

It is easier to quiet the noise of humanity, and of our own minds, when we are alone without distraction. Notice I said “easier” and not “easy”, because again it takes practice. But time spent alone, daily connecting and reweaving the threads that we have dropped can help us create a wonderful, rich tapestry that inspires us to continue in our journey through life, whatever may happen along the way. Though the solitary path might not be for everyone, having these moments of solitude can be a great tool for deep learning, working on your own as well as working within a group, Grove or Order. Sometimes we need to remove ourselves from the world in order to better understand it, and then come back into the fold with a new awareness and integration filled with awen, filled with inspiration.

The Hedge Druid is not afraid to be alone, nor with others, but seeks deep and utter integration in the world. Being a Hedge Druid requires determination, in seeking out the ancient and modern lore, and finding what aspects resonate within our soul. Not everything ancient is valid today, and not all modern aspects have integrity. We need to take a step back from declaring authenticity when there is doubt, and instead search for validity in our spiritual path. The Hedge Druid learns to walk her path with integrity, with solid research and experiential wisdom. She does the work, in the physical as well as the academic. Our learning is our own personal responsibility.

I hope that this blog post clears up some of the confusion of just what Hedge Druidry is, compared to other traditions within the Druidic diaspora. It is a deeply transformational way of being in the world, that appeals to those who wish to be connected to the land, the ancestors and the ancient Celtic heritage, while also at the same time work with the allies and guides of the Otherworld, or the three realms of land, sea and sky through hedge riding experiences. A Hedge Druid is deeply connected to the concept of the World Tree, the importance and significance of the bilé, to inform their world and how they work within it. And, as are all Druids, we are questing the awen: that sense of connection, of deeply integrated relationship with the land and with each other.

May we be the awen.

Witching Around Podcast

This month the Witching Around podcast features…. me! Do check it out, I had a great time with these lovely ladies 🙂

AI in WordPress

So, WordPress now have an “AI Assistant” to help you write better blogs. Or, write entire blogs for you. You all probably know of my deep dislike for AI in the world of books, having had entire books stolen and rewritten by AI programmes under various pseudonyms, including Mari Silva. The sheer volume of books now available on the market that have not been written by a human, or even a team of humans, is astonishing and seriously undercutting real authors just trying to make a living from what they love and what they are skilled in, having put years of effort into their craft.

I thought I would use a blog post, this blog post, as an opporutnity to share with you what it is that the AI assistant on WordPress can do. Which is, in fact, everything for you. And it’s getting harder to tell the difference between what is written by a human being, and what is being written by an AI program. The paragraph below was “written” using the AI assistant. I asked it to write about how AI is working to write essays, blogs and books. Here is the result. I have italicised the AI writing to make it clearer throughout this blog post what was written by me, and what was written by the machine.

The use of AI in writing blogs, essays, and books has revolutionized the way content is generated and has significantly impacted the writing process. AI-powered tools can assist writers in various ways, from suggesting ideas and generating outlines to providing grammar and style suggestions. These tools can also help with research by quickly analyzing vast amounts of data to provide relevant information. Additionally, AI can be used to automatically generate content based on specific parameters, saving time and effort for writers. While some may have concerns about the impact of AI on authenticity and creativity, when used thoughtfully, AI can be a powerful ally for writers, enabling them to streamline their workflow and enhance the quality of their work.

I then asked the WordPress AI Assistant to write about the downsides of AI in blogs, essays and books. Here is what it came up with:

AI in writing for blogs, essays, and books has certain downsides that are important to consider. One significant concern is the potential lack of originality and authenticity in content created with the assistance of AI. There is a risk that the writing may lack the human touch and personal voice that is valued in literary and scholarly works. Additionally, over-reliance on AI tools could lead to a reduction in critical thinking and creativity among writers. Furthermore, there are ethical implications related to the potential misuse of AI-generated content, such as plagiarism and intellectual property infringement. It’s essential to carefully balance the benefits of AI in writing with these potential drawbacks to maintain the integrity and originality of written works.

I decided to choose a more specialist subject for the next experiment. Here, I chose the subject of Druidry. This is what the programme wrote for me:

Druidry has a long and rich history in the British Isles, with roots dating back to ancient times. The term “Druid” is derived from the Celtic word for oak, and Druids were members of the learned class in ancient Celtic societies, serving as priests, teachers, judges, and advisors. They were deeply connected to the natural world and held the oak tree, among other elements of nature, in great reverence. Today, modern Druidry encompasses a variety of spiritual practices, including a strong focus on nature, environmentalism, and the celebration of the changing seasons. Many modern Druids seek to honor the traditions of the past while also adapting them to contemporary life, creating a vibrant and evolving spiritual path. The British Isles, with their ancient landscapes and rich folklore, continue to be an inspiring and significant setting for the practice of Druidry.

Next, I chose an even more specialist subject: that of the awen in Druidry. The AI Assistant wrote:

In Druidry, the concept of “Awen” holds immense importance as it represents divine inspiration and creative energy. The term originates from Welsh and Cornish languages, embodying the idea of flowing spirit and the connection to the divine. Awen inspires Druids to tap into their creativity, wisdom, and spiritual insight, fostering a deep connection to nature and the universe. It is often symbolized as three rays of light, signifying the balance between the triple aspects of nature and the harmony within oneself. This divine inspiration is believed to guide individuals in their spiritual journey, enriching their connection to the natural world and guiding their actions as stewards of the earth.

As you can see, it’s pretty hard to tell the difference between what was written by WordPress’ AI Assistant, and something that I might possibly write. In fact, my books could very well have been some of those “mined” without permission in order to feed the programme to provide the above two examples. Where did the WordPress AI get the information to feed it’s programme to produce the content? It doesn’t just come out of thin air. Has my blog, as well as many others been mined for content so that a machine can write about Druidry? With regards to writing books, this AI process saves someone the hassle of actually reading a book and then writing about it, and undergoing the arduous process of actually learning something. It also saves them from any effort in the process of their theft.

It is extremely alarming how easy it is now for someone to set up a website, blog, or even to write a book these days without have done a lick of work, research, or having the barest knowledge of a subject. In both fiction and non-fiction. And then sell that work at a price that undercuts all who have actually gone before, using their work without permission. Just because we authors have blogs and put stuff out there for free, doesn’t mean that it isn’t copyrighted. However, there is a huge problem in that material is being used without our permission in order to generate content. To catch, prosecute and convict someone of this crime is nigh on impossible, especially for us small-time authors who don’t make it to the New York Times bestselling lists.

So, thank you, WordPress, for killing one of the last bastions of creative writing that makes content available to the wonderful world wide web. From now on, if you want to ensure that material is written by an actual human being, you will have to do your own research. Find out if they have a website. Look at the publication dates of their posts, or the publishing dates of their books. If too much content is being written in too short a space, that’s a big red flag. If the content is too diverse, say for example they write a book about book about Hinduism, followed by a book on divination, followed by a book on Witchcraft, follwed by a book on angels, all books being around 200 – 300 pages long and released within a month of each other, it’s either a team of ghost writers or more likely now an AI programme. It takes time and effort now to find out who the bots are, and who the real writers are. And that shouldn’t be a burden on the readers, but rather should be weeded out by the companies such as WordPress and Amazon, who have allowed such content onto their platforms.

As you can probably tell, I worry about the state of writing, both in fiction and non-fiction. I can only hope that governments and legislators will wake up to the problem before all creative, human-made writing ceases to be. The only way I can see that happening is if we stop feeding the machine, stop putting our work out there for them to steal and therefore creating a repetitive loop of material that all sounds the same because of the lack of new input. But we also have to express ourselves, and do what we do best (as well as pay the bills).

In today’s rapidly evolving world, navigating the landscape of artificial intelligence (AI) can indeed be challenging when distinguishing between AI-generated content and human-created work. As individuals strive to make a living in this environment, it’s crucial to stay informed about AI advancements and their potential impact on various industries. By familiarizing oneself with the characteristics of AI-generated content and employing critical thinking skills, individuals can better discern between AI-generated and human-created material. Furthermore, seeking out reputable sources and staying attuned to technological advancements can help individuals adapt to this changing landscape and make informed decisions about their professional endeavors.

If anyone can be bothered.