The Most Important Page of Any Book

The Most Important Page of Any Book

There are now lots of Pagan books out there, on a huge variety of subjects. Some are new, some are old, some are out of print but still available through second-hand shops and websites. I’ve recently been perusing some older and out of print books on Wicca and Witchcraft, as well as Paganism in general and it’s really hit home just how much one page of a book can make all the difference. In fact, it’s the most important page of any book. And what is that page?

The page at the beginning of a book that has the publishing details on it.

What? Yeup – that’s the bit that I find the most helpful from the start. Why? Because it gives you context. You can find out just when the book was written, so you will see © 2001 Witchy McWitch. These few words give you an idea into the time in which the words were penned, a snapshot in time as to what facts and truths were available, and what were not, and how they were presented. Under that you will see the publishing dates, such as “First published in 2012 by So & So Publishing”. There will be the initial publishing print date, as well as other information to let you know how many printings of this book there has been.  If you are buying the book brand new, this reprint information gives you an idea of how popular the book is, as well as the possible opportunities for correction during subsequent print runs by either the author (if they’re still alive) or the publisher (if at all possible).

So why is this important? Well, information changes, history changes as new facts come to light. Knowing just when a book was written will allow for some leniency with regards to what was known at the time, versus what we now know after decades of research. I can forgive a book that is 20+ years old for not having a good history of witchcraft, for example. With even older books I can be more forgiving. The use of terms such as “shaman” and “shamanic”, as another example, can be forgiven because that was the term being used at the time. If the book hasn’t undergone a reprint recently, or has been out of print for a while, then this information just can’t be changed. And this is, at least to this author, a source of anxiety. I don’t know about other authors, but often when you put stuff out there, it’s out there for good and people can forget the context in which it was written.

People change. Facts change. Views of history change. What is politically and socially correct, changes. But old books can’t change. Not unless a new publishing company picks it up, the author is still alive to consult about making the changes, and everyone is happy to go along with it. But so often I will see criticism and horrendous reviews of old books regarding the information contained within. If you look at the book within context, you will know that it is out of date regarding historical accuracy, and then you might be a little more lenient. But instead people slam the old authors, those who many of us from Gen X and previous grew up with. We know that some of the information is wrong, or outdated, if we have the privilege of being able to keep up to date with the latest books and information (and in today’s growing economic crisis here in the UK, and around the world, we know that people have less and less money to spend). Think about it for a minute. If you haven’t been able to buy a new book on an aspect of Paganism in the last decade or so for whatever reason (no money, no time to read it because you’re working two jobs and trying to raise kids, etc.) you won’t have the most up to date information. But people will still criticise you and the books that you have for it, when it is beyond anyone’s control.

(There is a caveat here – some books do just contain information that was made-up at the time, and the author knew it. Or it was just poorly researched when information was quite readily available at the time. I’m thinking of a certain book written in 1990 that states the ancient Irish peoples carved pumpkins. Yeah. We knew better even at that time.)

Books are a luxury. For sure. Not everyone has the ability to do the in-depth research, to keep up to date with the latest information and the world of academia. For some people it just bores the crap out of them. Some people are doers, not readers. We have to take a look at the bigger picture, and stop cancelling authors whose books are out of print, as well as over-criticising people for not keeping up to date with the latest academia. It’s just not possible for some people to do. It’s utterly beyond their control.

I am so lucky that I am able to search around to find these old books, to add to my collection. I am so fortunate that I am able to buy new books with the latest academic research. I understand my white, middle-aged woman privilege here. Which is why I’m not ranting at others online or in person about the material they present, the authors they like, the books that they’ve read or not read (apart from my small caveat above). Because there’s a whole world of circumstances that I cannot possibly understand.

People are throwing out, or at least recycling old books because some of the information in them is out of date, contains bad history or what not. But as I’m re-reading these old books, every time I pick one up I look at the publishing details, to remind myself of the context. I can then be more forgiving. It doesn’t mean that all the material is worthless – it means that we have learned a lot more since this book was written. Now, if it was a brand new book written in the last few years, I might have a different attitude, but again there are variables: is the book self-published? If so, then there aren’t any external editors to say to the author “Look, this claim that you make has been shown to be false, here’s some research for you to look up” or some such. Circumstances matter.

Acknowledging circumstances help us to live more compassionately.

One last thing to think about is that authors, if they have the good fortune to have kept going throughout the decades, will contradict themselves sometimes. This is a good thing, because it is showing growth (sometimes in the wrong direction, it may seem, but it shows that they are still seeking). I released my first Pagan book in 2012, written in 2011. I am most definitely not the same person I was 10+ years ago. I have said things in my older books that I cannot say today, because my life has changed. I mention in one of my old books that I’m vegan, but I haven’t been vegan for a long time now, for various reasons. But someone reading that book will still think I am, or may even criticise me later on when they read a subsequent book and find my position has changed. The history that my older books contain may not stand up to the test of time. But the message, the exercises, the feeling and the passion hopefully will, as long as people understand the context in which it was written.

Words are funny things. They’re like stones, and if you put too much stock in them, hold too many too close to your heart, they will weigh you down. We have to let some of them go, in order to fly. We have to change and adapt with the times, realise that there are circumstances beyond our control, or that we aren’t even aware of while holding a compassionate regard for the past, and an understanding of just how far we have all come.

Book Review: The Druid Path: A Modern Tradition of Nature Spirituality by John Michael Greer

The Druid Path: A Modern Tradition of Nature Spirituality by John Michael Greer

Published by Sterling Ethos, 2021

This book is a great introduction to Druidry. I love a hardcover book, and this little gem published by Sterling Ethos is a really nice production. The corded cover with embossed title, the interior illustrations and the overall print quality is superb. We need more Pagan books that pay attention not only to the content, but also to the print quality and aesthetic! This book will last a long time, for sure. It’s in a nice almost square format too, which is different. It is an introductory book, so it doesn’t go into great length on any given subject, but it does cover all the essentials necessary to begin your path of Druidry.

It is divided into four sections: Part One looks at the sources of Druidry, including the ancient Druids, the Druid Revival and Modern Druidry. This brief history of Druidry covers all the essentials, as well as some new things that I have never come across, including William Stukeley’s elephants (you’ll just have to read the book for more on that one). I am also pleased to see a section on Women in Druidry.

Part Two looks at the Druid teachings, the different strands of Druidry and exercises to help one not just read about it, but also turn it into personal wisdom through experience. The section on “The Two Currents” I had not come across before in my own Druid learning. This chapter discusses the solar current and the earth’s telluric current and how to incorporate that into your practice.

Part Three is the practice of Druidry, an essential section that really shows how Druidry is a living practice, something that must be done, not just read about. I especially like Greer’s words on Druidry as a craft:

“Druidry is not an ideology. Like basketry, forestry, and many other words that end with –ry, it can be best understood as a craft. You don’t become a basket maker or a forester by believing some set of opinions. You become a basket maker by learning and practising basketry, and you become a forester by learning and practising forestry. In the same way, you become a Druid by learning and practicing the craft of Druidry. One of the things this means is that becoming a Druid isn’t an all-or-nothing matter. You start becoming a Druid as soon as you begin learning some elements of the Druid craft, and you keep on becoming a Druid as long as you keep studying and practicing that craft.”

In this section, Greer also introduces us to divination through the Coelbren alphabet, which is not used as much as the Irish ogham taught by many other Druid authors, teachers and organisations. This chapter also gives you some more daily practices and a couple of rituals to get you started.

Part four is about initiation into Druidry. The word initiation means “to begin” and so the ritual set out in this section provides the reader with a definitive point in time where they can say that they started out on the Druid path with directed intention to practice this craft to the best of their abilities. The self-initiation ritual is simple but poignant. Greer ends the book with the following words:

“A more important source of guidance than books and organizations, however, is the time you spend working with the basic practices of Druidry, listening to the One Life, and learning from nature. No one can do that for you. The only thing that limits how much you can learn and grow on the adventure of Druidry is your own willingness to pursue it.”

There is also a helpful glossary, bibliography, recommended resources and index.

I was very pleased with this little book that holds much wisdom. I’d recommend it to anyone starting out on the Druid path who wants a concise introduction contained within a beautifully printed publication.

Book review: Wicca Herbal Magic by Lisa Chamberlain

Wicca Herbal Magic: A Beginner’s Guide to Herbal Spellcraft is another fine installment from Lisa Chamberlain in her series of books on Wicca. This one, as several others, is published by Sterling in their “Mystic Library”, a series of lovely introductory hardcover pocket books. I’ve reviewed two others in this series, and this latest one does not disappoint. I adore hardcover books, and the little pocket sizes are excellent for those just starting on the path. They provide enough content to give a basic grounding in the subject, as well as a beautiful layout that really pleases the eye and captures and reflects the written contents of the book. I love these little books!

Lisa Chamberlain’s writing is excellent, as ever.* I liked the way that this book was laid out in three sections. The first is “The Ancient Art of Herbalism”, which contains a kind of short history of herbalism and its shamanic practices, as well as a look at the ancient system of correspondences and the aspects of Hermetics that relate to working with plants (and indeed many magical systems).

The second part of the book, the practical section, looks at thirteen herbs that can be used magically (as well as some of the better-known physical benefits that these provide). Most of these herbs many people already have in their cupboards or in their gardens, such as basil, bay laurel, cinnamon, dandelion, nutmeg, rosemary, sage and thyme. It shows us how we can work with herbs that have a long history in magical works, and without breaking the bank. On top of this, we have some wonderful tips on purchasing herbs, creating a magical garden, foraging, drying and storing herbs and how to use them magically (such as charging herbs before putting them to work).

Part three is an herbal grimoire, with recipes for magical teas which anyone can work with, magical baths, herb and candle spells, smudging, making oils and more. There are also rituals in this section such as blessings. At the end of this work, there is a brief overview of how to work with herbs in relation to astrology, which if you work with natal charts, the zodiac or planetary energy is perfect.

There are also handy tables of correspondences for quick reference at the end of the book.

All in all, this is a great little book to get you started working with our herbal allies. At just over 100 pages, it is not overwhelming and is easy to take in. Lisa’s writing style is informal but impeccable, and makes you want to learn more, try out the recipes and spells and get more involved with the work as a whole. It’s a great little gift for anyone interested in magical herbalism. I’ve been working with herbs for many years now, and I learned some new things in this book – with witchcraft, magic and herbalism, you never stop learning!

*For those in the Pagan community who still (wrongly) profess that Lisa Chamberlain is not a real person, (and the books are written by ghostwriters) it’s time to stop. She is real, she is lovely and I’ve spoken to her. It’s time this misinformation ends. She is a prolific writer, and good on her!

A few of my favourite things…

I thought I’d share with you some of my favourite eco-friendly products that I use on a regular basis. I have been buying these kinds of products for years now, and through lots of trial and error, have found which ones really do work, and which ones don’t (at least for me). So, here are my shining stars in the sustainable living category for your bathroom cabinet! Note: I have not been paid to endorse these products by any means, this is a genuine post in which I just want to share some little gems!)

Rosehip Scar Oil 50ml
My absolute favourite!

First off, I have got to mention Balmond’s Rosehip Scar Oil. I got this when I was ready to start treating my scar after the hysterectomy last summer. I was advised by the nurse who took out my clips after the surgery to use a specific oil on the scar to treat it, but when I looked up the ingredients it was a petroleum-based product, which is not something I wanted to put on my skin. So, I searched around and found Balmond’s scar oil, and wow – did it deliver! This oil contains rosehips, lavender and palmarosa, which gives it a lovely scent. It is all natural, gentle and works not only to treat scars, but as a facial moisturiser, for stretchmarks, uneven skin tone or fragile skin. It is rich in vitamin A, C, E and essential fatty acids. The main oils are grapeseed oil, rosehip oil, sunflower oil, calendula oil, chamomile oil, and lavender and palmarosa oil. Some, but not all of the ingredients, are organic.

I used this oil on my scar (and still do) and it has faded much quicker than if I hadn’t treated it. My brother-in-law had abdominal surgery last year as well, and we have compared scars. This oil has really helped in healing the skin, as well as keeping the rest of my tummy lovely and soft. I thought, this works so well on the skin for my belly, let’s try using it on my face. I have always avoided oils on my face, because it tends to clog my pores. Not this one. A few drops is enough to do your whole face at night (don’t use during the day, as the oils can increase your skin’s sensitivity to the sun) and when you wake up in the morning, your skin will look refreshed and lovely (at least, mine did). I can’t recommend this oil enough.  I use it on my hands at night as well. It seems expensive, at around £18 a bottle, but the bottle lasts 4 – 6 months, depending on how much skin you want to treat with it. I thought it was extremely good value for money, and I’ll continue to use this oil long after my scar has been fully healed. It comes in a glass bottle, with a glass dropper. Sadly the top of the dropper is plastic, but I’m willing to make that concession.

Kutis natural deodorant range

The next stellar product is Kutis natural deodorant. I have spent YEARS searching for a natural deodorant that actually works, and the best that I found for a long time was the solid deodorant from Lush. This still left me a bit swiffy on the hottest summer days, or after a workout, and so I still shopped around. I found Kutis two years ago, and I’ve never looked back. This deodorant really lasts, through two of the hottest summers I have ever known, through kickboxing workouts and belly dance performances – you name it, this product delivers. It has several lovely scent combinations, and my favourites are the citrus ones and the lavender and geranium. The main ingredient is arrowroot powder, coconut oil and sodium bicarbonate. This product contains lot of ingredients that are organic as well, but not all. It comes in a cardboard tube, which is fully home compostable.

I love my lip balms, especially tinted lip balms. I found Nirvana last year. The lip tint, not the spiritual state. This is an organic, vegan lip tint in a home compostable cardboard tube. I’m not sure about the label being compostable however; I may have to write to them to ask. This lip tint comes in several different colours, but I used the Velvet one all last year. I also used it as a cheek tint too, and it was pretty good, though sometimes it can get a bit oily on very hot days.

Fat And The Moon Lip & Cheek Stain

Another lip and cheek tint I found recently is Fat and the Moon. They call their product a lip and cheek stain, but it doesn’t stain at all – it is, in fact, a tint. I would have preferred a stain, for its lasting power, but this doesn’t have it, sadly. It is, however, a lovely tint, but you will have to keep re-applying it, not only to your lips but I also needed a refresher for the cheeks halfway through the day. It gives a lovely natural colour and contains all organic ingredients, though it is not vegan as its base is beeswax.  I used to use Burt’s Bees All Aglow for a lip and cheek tint, but the plastic packaging put me off. As soon as Burt gets their act together on the packaging, I’ll be looking into them again.

null | EthiqueBeauty | Gallery

Finally, let’s talk hair. I have spent YEARS looking for a natural, solid shampoo and conditioner that was SLS free. Everything that I tried (apart from Lush) left my hair a sticky awful mess. Lush works, but contains SLS. Then, at the beginning of this year, I found Ethique, who now distribute from the UK (they are an Australian company). I bought their hair sampler package and their facial sampler. Everything in them was lovely, but I highly recommend their St Clements shampoo for oily hair (mine’s not that oily, but it gives it a good clean) followed by Wonderbar conditioner (again for oily hair, but it works great on my “normal” hair. The full size bars last a long time, and the conditioner bar is a lot smaller than the shampoo bar. Don’t let that fool you. I’m almost finished the shampoo bar, but still have half of the conditioner left! The conditioner works best if you work it through the hair from root to tip, and then brush it all the way through. You also use less conditioner by doing so. The products from Ethique are not cheap – in fact, they’re a bit eye-watering in price, but they are the only ones that I have used that actually work, are eco-friendly, compostable packaging and really good quality.

Do you have a favourite beauty/bathroom product? Let us know in the comments, please!