Here in the final installment of my YouTube and podcast mini-series on the elements. I hope you enjoy it! To listen to all podcast episodes, please visit my Bandcamp Page.
Here in the final installment of my YouTube and podcast mini-series on the elements. I hope you enjoy it! To listen to all podcast episodes, please visit my Bandcamp Page.
Join me as I set up and perform my ritual for the Beltane full moon, 2020. 🙂
This rite uses what is commonly known as “The Descent of Brighid” from the Carmina Gadelica. This rite specifically calls upon the powers of the goddess Brighid, and cannot be used interchangeably with another goddess. If you honour or work with other deities, you might consider using the poem as an example to write your own spell or charm of protection. Alternatively, you might just leave out all the references to deity. At the end of the poem, we find the term luatha-luis, whose meaning is not wholly clear, and which is open to interpretation. It may mean a fast-acting, possibly poisonous plant. Luis is the rowan or mountain ash, a powerful and magical tree, whose berries are poisonous when raw, but delicious and nutritious when cooked.
You can perform this ritual every Imbolc, especially if you are a follower or would like to honour Brighid. Or you can simply use it as a rite of protection. You can perform this rite after undergoing a purification such as smudging or saining yourself with smoke from mugwort or vervain.
For this ritual, I would strongly encourage the entire formality of designating sacred space. This will lend focus to your intention, as well as inviting the powers of the ancestors, the three realms, the spirits of place and more to your rite. Choose something that symbolises protection for you, a talisman if you will: something strong and durable, something that will “shield” you physically, spiritually and psychically. You can make a shield yourself, using whatever materials you prefer. This doesn’t have to be a full-body protecting hunk of steel, but again can be symbolic; you can make one out of papier maché to keep near your altar, should you so wish. You might wish to use something natural that you can carry with you, such as a stone or crystal, or even say the poem over a pendant bearing the triskele or triquetra symbol, reflecting the triple nature of Brighid. There are many ways you can use this; be creative!
Rite of Protection Using the Shield of Brighid
Set up and designate your sacred space. Once you have done so, sit or stand for a moment and breathe, focusing your intention on what is to come. Visualise a glowing light beginning to emanate from within, centred on your chest. This light reflects the light of the moon, or the light upon water, or the light of a flame. The energy from this light is not hot, but cool, flowing through you and filling you with strength and confidence, as well as compassion and love. Raise your arms to the sky, drawing down the power of the sky and the full moon. Then hold your hands out in front of you, and draw in the power of the sea, and the highest tide. Finally, hold your hands to the ground, and draw the power of the land into yourself, the serpent energy that courses and connects everything to each other. Stand fully upright once more, noting how the light emanating from within you is even brighter now. Take that light within your mind, and form it into a circle or sphere of light around you. Visualise that light encompassing you, shielding you. If you have a talisman to represent the shield, hold this aloft and still visualise the circle around you. Then say the following words, from “The Descent of Brighid” from the Carmina Gadelica, feeling free to adapt or leave out the Christian influence:
Brigit daughter of Dugall the Brown
Son of Aodh son of Art son of Conn
Son of Criara son of Cairbre son of Cas
Son of Cormac son of Cartach son of Conn.
Brigit of the mantles,
Brigit of the peat-heap,
Brigit of the twining hair,
Brigit of the augury.
Brigit of the white feet,
Brigit of calmness,
Brigit of the white palms,
Brigit of the kine.
Brigit of the peat-heap,
Brigit, woman mild.
Brigit, own tress of Mary,
Brigit, Nurse of Christ, —
Each day and each night
That I say the Descent of Brigit,
I shall not be slain,
I shall not be wounded,
I shall not be put in cell,
I shall not be gashed,
I shall not be torn in sunder,
I shall not be despoiled,
I shall not be down-trodden,
I shall not be made naked,
I shall not be rent,
Nor will Christ
Leave me forgotten.
Nor sun shall burn me,
Nor fire shall burn me.
Nor beam shall burn me.
Nor moon shall burn me.
Nor river shall drown me.
Nor brine shall drown me.
Nor flood shall drown me.
Nor water shall drown me.
Nightmare shall not lie on me,
Black-sleep shall not lie on me.
Spell-sleep shall not lie on me,
‘ Luatha-luis ‘ shall not lie on me.
I am under the keeping
Of my Saint Mary;
My companion beloved
Let the words sink into the air around you. Let them suffuse the light that encircles you with their power. When you are ready, draw the circle of light that surrounds you back into yourself, centred on your chest. If you have a special talisman that you’d like to infuse with this energy instead, draw the circle of light that surrounds you into your talisman. When all the light has gone where it should, stand for a moment and see how this makes you feel. You can test the circle of light, by holding up your dominant hand (right if you are right-handed, left if you are left-handed) and immediately bring the circle of light back around your being. See it spring back up with ease, to surround you and protect you. If you are using a talisman, see it coming forth from the talisman. You can call and release this power as you wish, as you need. It is not something to be played with, but something real, an energy being focused around you. You are connecting with the power of Brighid.
When you are satisfied that you have the protection you need, it is time to reciprocate and leave an offering for what you have been given. As the lady of poetry, smithcraft and of healing, an offering related of one or all of these would be suitable.
Close down your ritual, and renew this rite of protection whenever you feel it necessary.
This ritual is an excerpt from my latest work, The Book of Hedge Druidry: A Complete Guide for the Solitary Seeker, published by Llewellyn Worldwide.
(c) Joanna van der Hoeven 2019
Here’s my new video for the Witchy Ways YouTube series – hope you like it!
This ritual is not for the faint-hearted. For at Beltane, the portals between this world and the Otherworld are wide open, and the Fair Folk are out in abundance. Here we will go out into a wild place and seek out a companion or guide of the Fair Folk: one that can offer advice, wisdom and intelligence on the locality of place, what is needed and what can be offered in return. Meeting one of the Fair Folk can be thrilling, but can also be a little scary. They are like and yet not like us, as described in the previous chapter on the Fair Folk in Part One of this book. They have different agendas, and may or may not appear in human form. Yet Beltane is the traditional time for encountering the Fair Folk, as is Samhain. So here, with caution, we will attempt to meet one of them, to gain some insight into the work that we can offer to the Fair Folk as well as the spirits of place, and what they may ask of us (and what we may receive in return).
This ritual is ideally performed outside, but can be accommodated for those who are unable to do so. You can perform this indoors, at your indoor altar if you wish, and take a similar journey in your mind to a destination of your choosing. Instead of a fire, you can have a candle upon your altar as the focal point.
You may prefer to fast during the day of this ritual, if you are able (if in doubt, consult your medical health practitioner). Drinking vervain tea before the ritual or taking a few drops of the Moon Elixir (see end of this ritual on making your own Moon Elixir) might also aid in your working. It is important to ensure that you do not have any iron on your person, or in the ritual area, as this is reputed to drive away the Fair Folk. If you feel the need for some protection against the Fair Folk you can carry a pouch of St John’s wort upon your person, though this may affect some of the fey who wish to communicate with you. This protective herb has its good qualities, in keeping the harmful away but may also deter those whose intentions are entirely neutral or as yet unclear.
Good places to hold this ritual are in wild places, or liminal places such as a forest edge, or the seashore, or on a hilltop. Other places could be at ancient sites such as tumuli, barrows or stone circles where it is often said the Fair Folk gather. You could also hold this ritual near a hawthorn or an elder tree, as these are trees associated with the Fair Folk. You may also choose to perform this ritual by a hedge. In any case, wherever you hold this ritual, ensure that the fire you create is safe and contained. Otherwise the Fair Folk might become angry with you, and this is certainly not what you want! I’ve even performed this ritual in my own backyard, with great success after a Beltane rite with friends and consequently meeting one of the Fair Folk for the very first time: he came through the hedge and stood under an apple tree, clad in shades of brown.
For this ritual, you will need:
Designate the sacred space as you normally would. When doing so, focus on inviting those of the Fair Folk who are in tune with your intention alongside the spirits of place, and who wish you no harm. That way, you may filter out unwanted attention from those who may not be so beneficial to you or your work. You might like to say something similar to what is offered below as you set up the space and after calling to the spirits of place:
I honour the time and tide and the beginning of Summer. I also call to the Fair Folk, those who hold the knowledge and wisdom of this land and of the ages. Those who come from between the worlds, I seek your blessing on this rite, and also your friendship. Those who are in tune with my intention, be welcome here in my rite.
Take as long as you need to settle and attune yourself to the place. Let yourself become a part of the landscape. Then light a small fire, and gaze into the flames. Take your time with this ritual; it might take all night, or at least a couple of hours. Allow yourself to really open up to the time and place, and do not rush anything.
When you feel ready, take the mugwort smudge stick, or burn some mugwort in a censer, and sain yourself with the smoke. (Saining is like purifying – allow the smoke to rise and flow over all your body, cleansing your body and soul.) Once you feel cleansed and purified, sit down for a few moments and just breathe.
Now call to the Fair Folk, first throwing a handful of vervain upon the fire (or the censer, if performing this indoors). Say these or similar words:
I now call out to one of the Fair Folk, you who would be my guide, who would share with me the wisdom of the Otherworld. In return, may the work that I do benefit this world and the Otherworld, and may there always be friendship between us.
Wait as long as is necessary. Someone will come to your call, whether in a human form or in animal form, or as a light breeze or a wind that caresses you, but touches nothing else. You might hear music, or laughter, without actually seeing anything. All these indicate the presence of the Fair Folk. Open your mind to any messages they might have to offer, or simply become aware of their presence in your life, in this place and time. At this initial meeting, a simple greeting might be enough, and a lengthy communion unnecessary. You can work and converse with the Fair Folk at length in later rites and rituals, but for now you are simply opening up your awareness of them, and of one in particular who wishes to work with you.
You may ask them for their name, but they may not give one to you, so don’t be offended by this. Simply acknowledge them as they appear, as your guide from the Otherworld. When your encounter is over (and it may be brief for this first time) slightly bow your head to them as the meeting comes to a close. Show gratitude towards them for making themselves known to you: give your offering in a suitable place for the Fair Folk and the spirits of place, acknowledging the beauty and gifts that have already been shared. Remember, don’t say “thank you”, for that may put you in their debt! Simply give the offering with a feeling of gratitude.
When you are ready, eat some food and have something to drink, and then put out the fire and ensure all safety precautions have been met. Close down your ritual space, and give a final thanks to all those who have been a part of your ritual. Know that you can return to this place to commune further with your Otherworldly guide. In future meetings they may set tasks for you to perform, in return for their wisdom. These might range from cleaning up litter in the area, to coming at certain times such as the full moon or at special holidays. They might ask you for protection of their space in your world, and you may need to seek out local authorities to communicate with and ensure that the place is protected and kept safe for generations to come. They might simply ask for further offerings of honey, whisky or mead, or poetry, song and music. Work with them to the best of your abilities, ensuring that no harm comes to yourself or others, the Fair Folk included. Ensure that you keep up your relationship with them; do not take them for granted, nor ignore them or allow the friendship to cease due to laziness or apathy.
If you need to sever the relationship for any reason, return to the place where you initially held this ritual. You may be moving to another part of the country, or have found another path. It is important to say farewell to your fey companion, and being polite to the Fair Folk is of utmost importance.
Last night we had the most wonderful full moon, in a beautifully clear sky (though cold!). As I held my full moon ritual in my back garden, waiting for the moon to rise above the giant ash trees opposite the tiny valley, I looked back upon my path and all that I had experienced on this wonderful, magical journey. When the moon rose high enough, I went down into a small clearing where her light shone upon the dried grass, and lay down upon the earth to re-dedicate myself to The Old Ways.
I have felt my path shifting, changing since Beltane, and the stirrings of something new are rising within me. All signs point towards a new project, of taking up the reins in this journey and directing the energies towards my ultimate goal. There are stirrings, ideas, rumblings inside my head, and as I gazed out at the moon I felt overwhelmed by a tidal wave of love that just poured out of my breast and out into the world. My love for the natural world knows no bounds, and I deeply honour my Lady of the Moon and my Lord of the Wildwood for their blessings.
So, new things will be afoot in the next couple of years.
In the meantime, my last book for the Pagan Portals series, The Hedge Druid’s Craft: Walking Between the Worlds of Wicca, Witchcraft and Druidry will be available tomorrow (Friday, 29 June). As well, my new book with Llewellyn, entitled The Book of Hedge Druidry: A Complete Guide for the Solitary Seeker will also be out around this time next year.
I look forward to walking this journey with you all. x
May the light and magic of midsummer bless you all!
Coming out on 1st July (Canada Day!) will be the audiobook version of The Crane Bag: A Druid’s Guide to Ritual Tools and Practices. Here’s a little sneak preview…
What to wear in ritual? Whether you’re a Druid, a Witch, a Wiccan, a Heathen or from any other path this question often comes up. The simplest answer is: wear what you like. However, let’s go into more detail, for the sake of this blog post!
I come from a Druid/Witch/Wiccan background. When I first began on my Pagan path, I performed my solitary rituals either in the nude or in robes that I had made. It all depended upon the season, the intention of the ritual, and practicality of it all. Some indoor magical workings and rituals I would do without a stitch on, as I felt that was most appropriate. As well, having just come out of a ritual bath, it was easy! I have also done some solitary outdoor rituals in the nude, such as honouring the solstice while dancing outside in the warm rain, away from prying eyes. The feeling of the warm, humid air and the rain on my body were wonderful, and is an experience that I will always remember and treasure. However, that ritual was performed during a Canadian summer, where the temperature soars to a very humid 32 degrees, and wearing anything or even moving causes one to break out in a sweat. It was also raining, which meant the bugs were in hiding, and the mosquitoes and blackflies which would otherwise eat me alive were not present.
In a British summer, things can be very different, and four seasons in one day is not uncommon. As well, there are less wild places to be in Britain away from prying eyes, as there are just so many more people on this tiny island than there is spread out across the vastness of Canada. Working in the nude can be extremely liberating, and many of modern Paganism’s leading people such as Wicca’s Gerald Gardner and Druidry’s Ross Nichols were firm believers in naturism: that being unclothed in nature had great benefits to one’s physical and spiritual health. However, in my opinion it can also be cold, uncomfortable and inappropriate.
It is entirely your choice as to how you wish to dress, or undress for ritual. If you are performing it in a public place, then you must remember that in most countries, it is illegal to be nude in public. The laws and the sensitivities of others must be taken into consideration. Some would argue this, such as those who at large Pagan festivals prefer to walk around naked, but I feel that this is inappropriate for many. We do not know everyone’s story, and so to be confronted by a naked person can be very upsetting for some people. There may have been past sexual abuse, or ongoing abuse in their lives. We have to think of the repercussions of our own actions and behaviour, how they will affect others. We are still able to express ourselves in freedom, without upsetting other people.
The last time I was as the White Spring in Glastonbury, it was open to the public and three women went in the main pool (not the bathing pool, I might add) and performed a ritual there in front of everyone with two of the three ladies completely starkers. While that may have been appropriate for a private ritual, when the public are also walking around it is, in my view, highly inappropriate to do so. Imagine a nun from France visiting, or a young schoolgirl who is asked by her teacher “What did you do this weekend?” and she replies “Daddy and I went to the White Spring and watched naked ladies in the water”. I have performed private ritual at the White Spring in the nude with friends, and it was absolutely lovely to immerse ourselves in the sacred and very, VERY cold water (we had to use the main pool, as the bathing pool wasn’t in existence then).
Here in Britain, it is highly unlikely that I will perform any ritual naked out of doors. Even my backyard is overlooked by neighbours either side, and so I keep my clothes on. As well, it’s usually too cold to go out romping in my birthday suit. I completely understand why some people feel the need to do ritual naked, but I don’t see the point when it is illegal, uncomfortable or inappropriate.
Making your own robes can be a richly rewarding practice. There are many simple robe designs that you can find online easily, and all you need to do is have some fabric and a little skill with a needle and thread. I would suggest using fabrics that are natural and that don’t have any man-made material in them if you plan to wear it in ritual, and they are lying next to the skin. Rayon for instance has a tendency to melt onto the skin if caught in a candle’s flame. Also robe designs with big bell sleeves are a no-go for anyone working with fire. No one wants a human torch as part of the ritual!
Many people like the old-fashioned appeal of robes for ritual, feeling that this harkens back to a time that seems more magical than today’s modern age. However, plain comfortable modern clothing can also be appropriate for ritual, if you have no desire or skill to make your own robes. We don’t know if our ancestors, whether they be witches, druids, heathens or whatever dressed in different clothing for every magical working or religious rite. They may very well have worn whatever they were wearing that day, that week, that month (depending on how often they changed their clothing).
When I am trudging out onto the heath for ritual, I wear good boots as I live in adder country. I usually also wear trousers such as jeans that have a heavy material which the gorse cannot penetrate, or at least knee-high boots that can ward off most of the pricks and thorns. I like the dress in natural colours, mostly greens lately as I find this personally pleasing. Green is also a colour associated with the faeries and the Otherworld, and in my current work is very appropriate.
In group ritual, sometimes those organising ask people to come along and dress in specific colours that honour the festival or season. Midsummer might be in fiery hues, for example. Some may wear modern clothing in the appropriate colours, others go for full-on gowns or robes. Either way, this is a nice way to get people together with a certain theme in mind and create a sense of community and harmony, whether you are in modern clothing or ritual robes; at least you’re somewhat matching. Much like making your own robes, doing this can also put you in a ritual frame of mind long before you have left the house. You are already thinking about the ritual as you are choosing or making your clothing. The ritual, indeed, has already begun.
Some people like to wear clothing that is true to ancient times according to their tradition. This can be wonderful way to connect to the ancestors. It is also a lot of fun! Many people who are involved in re-enactment organisations and who are also Pagan like to use this as a theme for their ritual garb. Reconstructionist paths do much the same.
The most important thing is that you like what you are wearing. Even if it is a simple piece of ritual jewellery that you can hide underneath your shirt, if that pleases you then wear it wherever and whenever you do ritual. Being comfortable is also a big factor, as being hot and uncomfortable, sweaty or cold is not really all that conducive to productive ritual. Let what you wear (or don’t wear) reflect your true self, in accordance with the law and propriety. And most of all, let it be fun and enchant you, and be a contributing part of the ritual if you so wish.
We’ve had a winner in the e-newsletter prize draw, and congratulations to Kelly Pederson! The course is now available to all, and here are details of what it includes:
So, what does this course cover? It covers the basics of Druidry, including:
How much does this course cost? It is £75, which includes the pdf file, the audio files and the email correspondence with both tutors. You may correspond as little or as much with the tutors as you like. Payment can be made via online bank transfer, or by cheque in British pounds.
This course is aimed for those new to Druidry, and can also serve as a good refresher for those who have walked the Druid path for many years. It is based on the teachings we provide at Druid College, condensed down to an introduction to Druidry and offered alongside guidance provided by both tutors. This course is about reweaving that connection, our connection to the land, the ancestors, and the gods. It is about learning the native spirituality of these British Isles, and exploring how they work in the wider world. As an introduction into the path that is Druidry, it focuses on our relationship to the land, the ancestors, the gods and the spirits of place.
What you get out of Druid learning is what you put into it. There is no room for passivity; Druidry is very much an active path. No one can do it for you. You must search out the awen, the inspiration yourself. Teachers may act as guides, priests may work as celebrants in ritual, but they do not take the place of active learning on the individual level. No one can do it for you.
So we actively encourage you to take those first steps along the path, and to hold the intention of your learning close to your heart as your journey. Know that the work that you put in will reap benefits, for yourself, your own sense of well-being and for the earth as a whole. For we are all part of the great tapestry of life.
If this sounds like something you would be interested in, then please email email@example.com to register.
We hope that you will take this journey with us. In the meantime, awen blessings!
Joanna and Robin