It’s another hot but dry day, without humidity for the first time in weeks. I am so grateful for the respite from the oppressive, thick air that makes it hard to breathe. And so I am outside, having wandered the hills and down the forest ridge to the middle of the valley below. The wildflowers are blooming all around me, the bees buzzing and the brilliant blue sky stretching out all around me.
I notice a bird, circling over the edge of the valley. I study its flight, and see that it is a turkey vulture. These birds have been moving northwards into Canada for the last 50 years, as the climate changes and the mass use of pesticides has been banned. Their silent, lazy, teetering circles on the thermals and the breeze are now a common sight in the area. But for many they are still an enigma, a threat, or even mistaken for eagles.
I have always welcomed these birds, though they are feared and mistrusted by others. I spent a long time in that valley, watching the flight of the bird, thinking about how it teaches us of the things that we would rather ignore in our lives. As carrion feeders, they teach us first and foremost about death.

In Canada, there aren’t any First Nations stories about these birds, as they are a recent addition to our landscape. There are a few from further south in the US, both positive and negative. But anyone with a little time can do some research to find out how they fit into the landscape, and how they can teach us their knowledge and wisdom of being.
They aren’t pretty birds, though in flight they are certainly imposing, and even majestic, with their long wingspans. They eat the flesh of animals that have died, and so are like nature’s clean-up crew, saving the spread of bacteria and disease by disposing of rotting corpses. The acid in their stomachs is strong enough to kill harmful bacteria, and so they are very much an important part of the ecosystem by taking care of things that would be harmful to other living creatures, ourselves included.
Their bald, red heads can look menacing, but are well-adapted to eating rotting corpses. Feathers would get in the way and be difficult to clean of harmful bacteria, and so their featherless heads make it much easier to get in and eat the flesh and then be cleaned afterwards, in rivers, lakes or streams as they drink, or in the rain. They defecate on their legs, which for many people is quite disgusting, however they are not the only birds who do so. The reason that vultures specifically defecate on their legs (bird poo and pee comes out together from one orifice, by the way, which saves water loss) is so that they can kill bacteria on their legs with ammonia after feeding on corpses and walking over them.
Their sense of smell is what alerts them to food. They have the largest olfactory system of any bird. They can smell carrion from over a mile away! Very handy to mother nature’s clean-up crew. They can also spot carcasses from up to a mile away, though they have trouble seeing in the dark and so are daytime flyers. Incredible birds.
And yet they are feared, or mistrusted, or reviled. I stand in the middle of the valley, watching the vulture’s flight. A chant bubbles up in my mind, one that I had created early this year. The tune seemed to reflect the soaring freedom of the bird’s flight, and my happiness at its existence. I sang, watching the circles it made in the sky, willing the bird to hear my voice and my songs of praise.
And it came nearer. Immediately responding, it heard me and came, following the notes of my song. I felt that it could feel the love that I had for it, the wonder and joy of its existence and the freedom of its flight. I poured my emotion into my song, letting it know of my joy in its flight. Closer and closer it came, lower and lower, listening to me and drinking in my love. Over my head it came low, and circled beneath the sun, in a dance of light and darkness that reflected its very being. I raised a hand to my eyes, sheltering them from the light of the sun to watch the bird glide in the white brightness of the sky right overhead. The long, dark wingspan stretched over me, and my heart touched that bird with joy and love and peace, and that emotion was returned to me from this incredible bird.
It made one final low circle around me as I stopped my song. It then bid me farewell, and thanked me for the song as it moved over to the other side of the valley, find new thermals and a new vista. The experience of the vulture is something that I will cherish and carry me throughout my lifetime.
As the bird flew off, I spoke these words from my heart:
Your flight is my inspiration
And the knowledge that upon my death,
You will take care of my body
Is my sanctuary
For in death there is life,
In life there is death
So has it always been
So shall it always be
I will always sing to the vultures.
Just a reminder that we also have an audio version of Down the Forest Path, with weekly podcast episodes (though I may miss out a week here and there, like last week due to another death in the family). It’s been interesting to try out this medium, and although I’m much more comfortable writing than speaking, I feel that this is good for me, as a Druid in honouring an ancient oral tradition. So, every month there is one free podcast available, but to listen to all you will need to subscribe. Subscription lasts for an entire year from signing, and you will also have access to all of my back catalogue items such as the audio version of my book
The song and video also points out that we need to take responsibility in our lives, which includes personal and emotional responsibility. The title, “Look What You Made Me Do” is referencing that fact that we often blame others for so many things, which engenders a lack of personal responsibility when it comes to the art of basic living. We need to take responsibility back for ourselves, for our actions, our words, our thoughts and emotions. When we do so, we pull of the mask that allows us to stay in our wounded selves, and to fly free with the wings of freedom and sovereignty. The reaction of others to this, well, what can I say? Some may praise you for it, some may criticise, some may hate and some may love you for it. The title is also a comment on how the media have created and fabricated all these stories about her, making her as a media-created character do and say things that are completely false. Taylor Swift’s new album (available beginning of November) is called Reputation, is yet another examination of the power of story, and who is telling it, and to whom.
For me, Druidry is about living a life in service. Many people confuse the word service with subservient: being beneath someone else in a lower position, lowering yourself for others. Service has nothing to do with this, and everything to do with using your skills, wit and intelligence to benefit the world around you. Relationship is at the heart of Druidry, and service to Druidry requires good relationship. There is equality, a give and take, in order to maintain a sustainable relationship. We work to serve the whole: the ecosystem, our community, our families, our ancestors, our gods, our planet. Our work in Druidry is not just for ourselves.
Reviews are coming in for my new book,
I had a lovely solo ritual last evening, to celebrate the autumn equinox. As the sun set, I meditated on the changing colours in the sky, on the harvest that has taken place, the wheat and corn crops taken in, the onions and turnips. The fields are still being tended, ploughed for winter veg, seeding with potatoes and other root crops. The sounds of work in the fields is still going on, even as the evening dog walkers pick blackberries and apples from the hedgerows. It’s a strange time of both noise and stillness, when the swifts and house martins have mostly left, the skies seeming emptier for it. The dawn chorus is softer, the evening calls less urgent.