A full day of filming, another of editing and some extra hours on sound. But I’m pleased with the results!
Some days, when the words just won’t come, you gotta do something different. Keep the creativity flowing. Dance, draw, play an instrument or… paint!
The Fairy Knoll by Joanna van der Hoeven
And now you know you must answer
Softly at first
At Spring Equinox
She was all innocence
All light-voiced song
And you know She calls
The Queen of the May
The virgin voice now lusty and deep
Full in the belly and full in the throat
Her song caresses you
Like her fingertips caress the belly of Experience
And you answer her call
And you are faery-led
Into the wild haunts
To lay yourself down
Upon the altar of ecstasy
To dance free around the faery tree
To let your heart be filled
With the songs of sparrows
As they scream overhead
To touch the grace of the deer in the shadows
To feel the heartbeat of the earth
Pulsing beneath your feet
As you set you roots down
Even as you reach towards the skies
The Beltane time is nigh
You hear a cry
And it is your own soulsong
Escaping your cherry-red lips
Filled with laughter
You dance the circle round
Whispering secrets to the trees
The eyes of the hidden folk following
You know who you are
You know who you were meant to be
And in your breathless dance
You sweat your prayers
And She hears them
And with crystalline clarity you know
In the blood that runs through your veins
And the thoughts that course through your mind
In the lives and loves of your ancestors
You know you are not the only one
And you revel in your witchdom
The music slows
The eyes of the does drop to the ground
As they lower their heads in reverence
For here She comes
And you look into Her in the eyes
And you see the May Queen
You see all that you were
And all that has been
And you nod and you smile
She takes your hand
She knows every crack in your heart
She knows your inner land
And as the bright sun fades
And the stars begin to shine
You honour your past
Your future is bright
And the magic never ends
As day turns into night
She blesses you
With your own inner sight
There is starshine in your hair
There is elphame in your soul
And you remember
All you have been
All you have seen and been told
And you have come home
(Photo by Graham Haynes)
This ritual is not for the faint-hearted. For at Beltane, the portals between this world and the Otherworld are wide open, and the Fair Folk are out in abundance. Here we will go out into a wild place and seek out a companion or guide of the Fair Folk: one that can offer advice, wisdom and intelligence on the locality of place, what is needed and what can be offered in return. Meeting one of the Fair Folk can be thrilling, but can also be a little scary. They are like and yet not like us, as described in the previous chapter on the Fair Folk in Part One of this book. They have different agendas, and may or may not appear in human form. Yet Beltane is the traditional time for encountering the Fair Folk, as is Samhain. So here, with caution, we will attempt to meet one of them, to gain some insight into the work that we can offer to the Fair Folk as well as the spirits of place, and what they may ask of us (and what we may receive in return).
This ritual is ideally performed outside, but can be accommodated for those who are unable to do so. You can perform this indoors, at your indoor altar if you wish, and take a similar journey in your mind to a destination of your choosing. Instead of a fire, you can have a candle upon your altar as the focal point.
You may prefer to fast during the day of this ritual, if you are able (if in doubt, consult your medical health practitioner). Drinking vervain tea before the ritual or taking a few drops of the Moon Elixir (see end of this ritual on making your own Moon Elixir) might also aid in your working. It is important to ensure that you do not have any iron on your person, or in the ritual area, as this is reputed to drive away the Fair Folk. If you feel the need for some protection against the Fair Folk you can carry a pouch of St John’s wort upon your person, though this may affect some of the fey who wish to communicate with you. This protective herb has its good qualities, in keeping the harmful away but may also deter those whose intentions are entirely neutral or as yet unclear.
Good places to hold this ritual are in wild places, or liminal places such as a forest edge, or the seashore, or on a hilltop. Other places could be at ancient sites such as tumuli, barrows or stone circles where it is often said the Fair Folk gather. You could also hold this ritual near a hawthorn or an elder tree, as these are trees associated with the Fair Folk. You may also choose to perform this ritual by a hedge. In any case, wherever you hold this ritual, ensure that the fire you create is safe and contained. Otherwise the Fair Folk might become angry with you, and this is certainly not what you want! I’ve even performed this ritual in my own backyard, with great success after a Beltane rite with friends and consequently meeting one of the Fair Folk for the very first time: he came through the hedge and stood under an apple tree, clad in shades of brown.
For this ritual, you will need:
- An offering, such as butter or honey
- Somewhere where you can sit outside for part or all of the night and have an outdoor fire
- A mugwort smudge stick, or cut and dried herb to be burned in a censer
- A handful of vervain
- Some food and drink for yourself
Designate the sacred space as you normally would. When doing so, focus on inviting those of the Fair Folk who are in tune with your intention alongside the spirits of place, and who wish you no harm. That way, you may filter out unwanted attention from those who may not be so beneficial to you or your work. You might like to say something similar to what is offered below as you set up the space and after calling to the spirits of place:
I honour the time and tide and the beginning of Summer. I also call to the Fair Folk, those who hold the knowledge and wisdom of this land and of the ages. Those who come from between the worlds, I seek your blessing on this rite, and also your friendship. Those who are in tune with my intention, be welcome here in my rite.
Take as long as you need to settle and attune yourself to the place. Let yourself become a part of the landscape. Then light a small fire, and gaze into the flames. Take your time with this ritual; it might take all night, or at least a couple of hours. Allow yourself to really open up to the time and place, and do not rush anything.
When you feel ready, take the mugwort smudge stick, or burn some mugwort in a censer, and sain yourself with the smoke. (Saining is like purifying – allow the smoke to rise and flow over all your body, cleansing your body and soul.) Once you feel cleansed and purified, sit down for a few moments and just breathe.
Now call to the Fair Folk, first throwing a handful of vervain upon the fire (or the censer, if performing this indoors). Say these or similar words:
I now call out to one of the Fair Folk, you who would be my guide, who would share with me the wisdom of the Otherworld. In return, may the work that I do benefit this world and the Otherworld, and may there always be friendship between us.
Wait as long as is necessary. Someone will come to your call, whether in a human form or in animal form, or as a light breeze or a wind that caresses you, but touches nothing else. You might hear music, or laughter, without actually seeing anything. All these indicate the presence of the Fair Folk. Open your mind to any messages they might have to offer, or simply become aware of their presence in your life, in this place and time. At this initial meeting, a simple greeting might be enough, and a lengthy communion unnecessary. You can work and converse with the Fair Folk at length in later rites and rituals, but for now you are simply opening up your awareness of them, and of one in particular who wishes to work with you.
You may ask them for their name, but they may not give one to you, so don’t be offended by this. Simply acknowledge them as they appear, as your guide from the Otherworld. When your encounter is over (and it may be brief for this first time) slightly bow your head to them as the meeting comes to a close. Show gratitude towards them for making themselves known to you: give your offering in a suitable place for the Fair Folk and the spirits of place, acknowledging the beauty and gifts that have already been shared. Remember, don’t say “thank you”, for that may put you in their debt! Simply give the offering with a feeling of gratitude.
When you are ready, eat some food and have something to drink, and then put out the fire and ensure all safety precautions have been met. Close down your ritual space, and give a final thanks to all those who have been a part of your ritual. Know that you can return to this place to commune further with your Otherworldly guide. In future meetings they may set tasks for you to perform, in return for their wisdom. These might range from cleaning up litter in the area, to coming at certain times such as the full moon or at special holidays. They might ask you for protection of their space in your world, and you may need to seek out local authorities to communicate with and ensure that the place is protected and kept safe for generations to come. They might simply ask for further offerings of honey, whisky or mead, or poetry, song and music. Work with them to the best of your abilities, ensuring that no harm comes to yourself or others, the Fair Folk included. Ensure that you keep up your relationship with them; do not take them for granted, nor ignore them or allow the friendship to cease due to laziness or apathy.
If you need to sever the relationship for any reason, return to the place where you initially held this ritual. You may be moving to another part of the country, or have found another path. It is important to say farewell to your fey companion, and being polite to the Fair Folk is of utmost importance.
Hello all! I’ve been a bit late in posting a review for Morgan Daimler’s Travelling the Fairy Path, and so I’m also including my review for her latest Pagan Portals as well, coming out next year: Manannán mac Lir: Meeting the Celtic God of Wave and Wonder.
I’ve loved all of Morgan Daimler’s work, and so when the call went out last year for reviews for her Travelling the Fairy Path, I jumped at the chance! This book is a bit of a departure from others in her series dealing with Fairy Witchcraft, in that this work is more personal, and written in a slightly different style, presenting the material in a more conversational manner. It’s hugely informative, as are all of her books, and touches upon issues that are rarely mentioned in other books in the Neopagan world. Discussing the difference between spirits and fairies, how to work with verified or unverified personal gnosis, looking at the lore from the perspective of poetry and music as well as practical information on glamour, shape shifting and more, this book is a great addition and complement to her other works. There is even an entire compendium of ogham knowledge in the appendices, which is extremely useful. I always look forward to more works from this author, and highly recommend her to everyone in the Pagan community, as well as those interested in all things Celtic. Travelling the Fairy Path is available for pre-order, and will be out end of September.
Morgan Daimler’s book on Manannán is a real gem for anyone interested in working with a deity connected to the sea. In a down to earth and easy manner, Daimler presents this god in clear language and with a heartfelt honesty that comes through the words on the page and settles in the heart. Each chapter is a treasure, and we not only cover the Irish aspects of this deity, but also take a look at the Welsh, Manx and Scottish associations, which are all exceedingly helpful. The ritual, meditation and prayer section makes this book truly come alive, as well as the section at the end of each chapter, entitled “Manannan in my life”. Here we see up close and personal how this deity affects the life of the author, and this insight really makes this work stand out. I have thoroughly enjoyed all of Daimler’s work, and she is a true asset to the community. This book will be available end of April 2019, but is now available for pre-order.
I attended a lovely make-up and photography workshop run by Leanne of Mystic Belly Dance earlier this month, and when it came time to be photographed, my friend Michelle and I decided to try out a Fairy Tale theme with the photographer, Roger Dewsbery. Here are the results, which I’m very pleased with! I can see possible future book covers and more… 🙂
The energy of the ritual still hung in the air, shimmering in the light of the Beltane full moon. I was alone in the garden, tidying up the lanterns and getting ready to put the fire to bed. As I walked down the garden steps, my offering of milk and honey in my hands, I made my way across the lawn to where the altar and offering place lay beneath the canopy of an old beech, its leaves just beginning to bud. I said a quick prayer as I entered that sacred space, with nine small stones delineating the boundary of this “faerie circle”, a minilithic stone circle that I built last year.
As I walked into the circle, I felt the air thick with the magic of the evening. I knew something was about to happen. I laid the food and drink upon the altar, and gave my thanks to the spirits of place, and to the Good Folk. No sooner had the words left my mouth, than a rustling in the hedge all around me began, as if some strange wind was shaking just the coniferous boundary of my garden, or a small army of badgers were all coming through the little holes in the hedge at the same time. My heart pounded in my chest as the moon shone through the branches of the beech above me. Frozen in place, excited and both frightened to see what happened next, I tried to see into the darkness of the hedge, shadowed from the moon’s light, but I could perceive nothing but the inky blackness.
The rustling all around me stopped, and I found I was able to move. I knew that something had come through the hole in the hedge, but I could not see it. Slowly I walked towards the firepit, hoping to see what had come through by the light of the fire. I cautiously approached the dying flames, and peered into the shadows about ten feet away. I could see very little, but I felt a presence, someone – male – standing by the birdfeeder and the hole in the hedge, standing shoulder-height to me, dressed in shades of brown. Suddenly, even as I looked and felt his presence, he moved without a sound like a dark shadow in the blink of an eye back into the hedge, and there from the depths of the green and black two eyes shone a whitish/green, reflecting the light of the fire. Whatever that being was, he had changed into the form of a badger in the blink of an eye, to watch me from the depths of the back hedgerow.
“Beltane blessings,” I murmured. Unsure of what to do next and still very much afraid and alone, I curtseyed and then covered the firepit with its iron mesh guard, walking back slowly towards the house. I had wanted to ask for his friendship, and for that of all the Good Folk, but my courage failed me on that night of the full moon, as the powers of Beltane and the Otherwold flowed through the land.
I only hope that he will return, and soon.
A Legacy of Druids by Ellen Evert Hopman is a capsule held in time, with interviews by Druids from all over the world that were taken twenty years ago. It is interesting to hear their stories, especially from those people I know now, and whose perceptions have changed with the passage of time.
It’s not a book on how to be a Druid, but rather a conversation with an entire room full of them. You get to “work the room” so to speak in this volume, finding so many different personalities, histories and visions for the future. The foreward by Philip Carr-Gomm was perhaps the most interesting for me, and which coincided with my perception of Druidry as it is today. That this should be so is obvious; as a nature-based tradition, Druidry is always evolving, and here was have the proof that this is so.
Dynamics, schisms, traits, perspectives of different Druid traditions, with a lot of American vs British is reflected in the interviewees’ words. That these perceptions and their individual predictions for the future have changed over the last twenty years is, I think, a very good thing. With the popularity of the internet, dialogue has opened across vast oceans, with views being shared, references, academia, experiential gnosis and more. The divide between the two has lessened greatly, to the benefit of all.
Of course, I did not agree or resonate with the words of every Druid (or Druid friendly person) interviewed. Like being at a party, there are some people you want to hang out with and others that you don’t. But all of it is informative, in its raw, unedited state. You get real flavour of who that person was at that time, and what Druidry meant to them at that particular point in time.
A very interesting, and original work. I would love to see a modern version of this done, with as many of the same people in the original work, as well as new voices!
I thoroughly enjoyed Morgan Daimler’s Fairycraft. This book is the follow-up to her Pagan Portals Fairy Witchcraft, and goes into deeper depth for this particular practice.
This book is extremely well-researched, and contains as well as a plethora of information, the author’s own experiences in the tradition. This down to earth practicality is what sets this book apart from others on the subject. It is divided into many sections, each with their own sub-section detailing the matter fully and capably. Not only do you learn fairy lore and customs, but this book also provides you with rituals and rites, prayers and holiday suggestions suited to one who wishes to honour or develop a deepening relationship with the fey, the sidhe, the gods and the ancestors.
Daimler’s writing is sincere and succinct, not overly flowery and not trying to impress, but rather expressing honestly what she has learned through her many years of experience in the tradition. I especially enjoyed the final portion of the book, entitled “Living Witchcraft”, for it gave me a deeper insight into the tradition and its practicalities, and also the author herself. I’ve enjoyed all of Daimler’s works, and look forward to reading more.